I think that if you're serving yourself before you're serving a story then that's where you end up being not funny. It's not about being funny, it's about telling a story and then the comedy comes out of the situation, I think.

There are lots of things that everyone else likes that I hate. So I feel that audience rights are very important. I just want people to hear it and decide if they like it or don't like it as they would with anything else.

It can make you a little crazy when you are too connected to a product.

Everyone has the heartbreak that shapes them in a way that they could never go back to the innocence that they had before.

I think that if you're serving yourself before you're serving a story then that's where you end up being not funny. It's not about being funny, it's about telling a story and then the comedy comes out of the situation, I think.

In a sense, I like to think of the live performance as something different than the record, not necessarily looking to exactly recreate the record. Sometimes Matt and I just do duets folk-style. Part of the fun of seeing a live show is having it be different from the way that you hear it in your bedroom or wherever you listen to music.

I feel like making music because - and this has much to do with the way I was able to make this record - there's more of myself in it.