It's great, because we've had some really great people playing with us who really have studied the record and been able to recreate a lot of what was done. But I would need a choir of eight, probably, to do all of the backup vocals.

I'm always interested in hearing how other people read and react to my songs. I hadn't thought of it in just that way. One of the things I love about doing things that are creative is that I feel like it's my right as an artist not to be affected by the reactions of those people that are going to hear my songs. But I also feel like it's the right of the people hearing them to have their own interpretations of what these songs mean. Sometimes people will see things that I don't see.

I brake for birds. I rock a lot of polka dots. I have touched glitter in the last 24 hours. I spend my entire day talking to children. And I find it fundamentally strange that you're not a dessert person. It freaks me out. I'm sorry that I don't talk like Murphy Brown. And I hate your pants suit. I wish it had ribbons on it or something just to make it slightly cuter but that doesn't mean I'm not smart and tough and strong.

If I were to work with my mom, I probably would not want her to play my mom. That would get too real.

In making a record there are so fewer people involved - at least in our case. There were no more than three or four people in the studio at once. So I really feel like I can stand by everything on the record and say this is something that I personally endorse.

I already have the weird experience of having a name for myself personally that's connected to someone that's in the public eye. So you have me, Zooey Deschanel, and then there's Zooey Deschanel's public persona.

I don't know why femininity should be associated with weakness. Women should be free to express who they are without thinking, 'I need to act like a man, or I need to tone it down to be successful.' That's a very good way to keep women down.