There are a million examples of not feeling the jazz, but using the jazz.

If I were to work with my mom, I probably would not want her to play my mom. That would get too real.

My sister and I do to what we love to do and do what we want to do, so that sort of started us off having a sense of 'Do this because you love it' not 'Do this because you want to be famous.'

I think that if you're serving yourself before you're serving a story then that's where you end up being not funny. It's not about being funny, it's about telling a story and then the comedy comes out of the situation, I think.

I love singing Christmas carols. I know every harmony to every music-hall Christmas song.

In a sense, I like to think of the live performance as something different than the record, not necessarily looking to exactly recreate the record. Sometimes Matt and I just do duets folk-style. Part of the fun of seeing a live show is having it be different from the way that you hear it in your bedroom or wherever you listen to music.

There are lots of things that everyone else likes that I hate. So I feel that audience rights are very important. I just want people to hear it and decide if they like it or don't like it as they would with anything else.