That's one of the most exciting things for me about listening to records: It's a moment in time, and the less it's messed with the more powerful it is. I wanted at least one song on the record to be just completely about the moment.

In a sense, I like to think of the live performance as something different than the record, not necessarily looking to exactly recreate the record. Sometimes Matt and I just do duets folk-style. Part of the fun of seeing a live show is having it be different from the way that you hear it in your bedroom or wherever you listen to music.

Yeah, well, we were looking for something sort of anonymous. It suggests what it is, but I like that it's modest. I feel like that's an underrated virtue. It's modest and it's kind of anonymous, which I liked, because it reminds me of my own ideas about why music should be played, which is not to be a star. That was never my intention.

I love telling stories. I think of myself as a storyteller, and I don't feel bound by being just a singer or an actress. First, I'm a storyteller, and history is stories - the most compelling stories. There is a lot you can find out about yourself through knowing about history. I have always been attracted to things that are old. I have just always found such things interesting and compelling.

I think every year I become happier because I become more comfident and more comfortable in my own skin.

After staring at origami directions long enough, you sort of become one with them and start understanding them from the inside.

I'm a big fan of the '80s fantasy genre that I grew up watching, movies like "Krull" and "Clash of the Titans" and "Time Bandits" and all that stuff.