Quotes About Albums

My iPod holds 3,000 albums. I own, like, 90 albums. My iPod sits at home, sullen, frustrated, and underused, like a wife who gave up her career and the kids turned out to be shite.

For a few years all I listened to was The Smiths, Things Fall Apart by The Roots, Love Is Dead by The Mr. T Experience, Nostalgic for Nothing by J Church, and the first Servotron album No Room for Humans. And that was it. For two or three years, those are the albums I listened to. I just fell into this very bizarre phase where my head shut down on me. I just obsessed over things and those albums happened to be in that rotation of me obsessing over things.

Louis 'Thunder Thumbs' Johnson was one of the greatest bass players to ever pick up the instrument, as a member of the Brothers Johnson, we shared decades of magical times working together in the studio and touring the world. From my albums 'Body Heat' and 'Mellow Madness,' to their platinum albums 'Look Out for #1,' 'Right On Time,' 'Blam' and 'Light Up the Night,' which I produced, to Michael's solo debut 'Off the Wall,' I considered Louis a core member of my production team. He was a dear and beloved friend and brother, and I will miss his presence and joy of life every day.

I plan to do my next two albums with Lady Gaga . She is quite a talent.

I just think there's an awful part of rock-'n-roll music where people kind of pretend they're young all their lives, you know? And they kind of live off past glories. Especially now there's kind of a trend where people are performing only their old albums, in their entirety, beginning to end.

I've written 90 percent of the songs in my career, on all my albums.

I have a lot of albums yet to do.

I had always loved comedy, and acted out Steve Martin and Bill Cosby albums with my sister for my parents on road trips and stuff, and I loved to laugh and make people laugh.

I was so frustrated in Sabbath after the last few albums. I just didn't like the musical direction Sabbath was going in

Albums are chapters. They're part of a story.

Nobody wants to make great albums now because nobody wants to buy them and there's no place to sell them.

Most every album - and especially metal albums these days - are made in a way that you can grow tired of them very easily: They're made to be dissected and played on radio, released as singles or stuck on at parties.

Those two songs condense the two albums. They also show what the audiences wanted. I was desperate to keep the band together and find something that the public would like.

There's 40 or 50 songs that nobody's heard that I've done in between albums. There's a whole evolution from Midnite Vultures to Sea Change that's never been released.

For years, Jazz At The Philharmonic albums were the only ones of their kind.

I don't know what type of music my son will want. By the time he starts listening to music, really, at like 15, 16, I'll probably have 10 albums out by that time.

It's a different world now: Stars come and go quickly, and there are so many of them. I read a statistic that all the record companies combined used to put out around 3,000 albums in a year. Now they put out something like 30,000!

I remember a couple of instrumental albums, just don't ask the names.

I look at other artists who have had fabulous first albums, and you don't know what they're doing today. Who's to say I'll be an exception to that rule?

In the age of camera phones and screenshots and Twitter.... At the end of the day, I want to share my life with somebody, you know? I want picture albums. I want to look back at our time together. And I also want kids. And if you want kids, then you want marriage.

A lot of my albums that Ive done, a lot of the songs have been the first take. Its before you mess with it too much - you can take away all the spontaneity and the emotion of something by trying to make it sound perfect.

For me, the challenge is just making great albums, because talent - and writing in general - is not tangible. There's no expiration date on it. At the same time, you might wake up tomorrow and be unable to write music.

I just think I'm a narcissist, really! I guess when I write albums, they take a huge amount of time out of my life and I'm aware of not using the same processes as I did with the last one, or else I'd get really bored and wouldn't feel inspired.

I write for myself; I release the albums to connect with everyone else.

Before our albums are released I feel like we still own it, that we have control over our music. But once it's out there in the world it's no longer ours.

In my dressing room, you'll definitely find some Starbursts and Skittles. I have a lot of candles that remind me of home, and a humidifier for my voice. I also have some digital Kodak albums where I have pictures of my friends and family.

If you go back to all my albums, they're all confessional.

I mean Iggy and The Stooges first couple of albums I think sold twenty five thousand between the two of them you know and so to talk in terms of an underground I mean you have to go really to the independent labels and things like that.

A lot of people influenced me as I was learning but probably Bing Crosby was the most influential, because I would hear his Christmas albums, which my parents played a lot.

I have hundreds and hundreds of songs waiting to get on albums, but I don't know about the three-month radio tours and if I'll be interested in that. I haven't figured it out, but I will definitely be doing music, whether it is independent or with a major record label.

Our albums just tend to be collections of songs really, because we all write in the group, all four of us.

Cry Baby wasn't necessarily a baby theme but I understand what they're saying. So like, Cry Baby is definitely a remaining character throughout all of my albums.

Well we usually just try to do a mix from all the albums so if somebody just has one they don't get bummed out that they don't hear anything from that record, then a couple songs you'll only hear live. Just kind of wing it you know? And sometimes on a tour you'll get with a set-list you like and you kind of just stick with that.

It's frustrating to do albums that you think are worth listening to, but it's just so difficult to cut through.

One of my oldest friends from Kansas, his sister was married to Ben [Folds] and wrote lyrics on his first couple of albums. I got to meet him the first time I saw them in concert at The Bottleneck, a great bar in Lawrence, Kansas. Then, he was the musical guest my first or second week as a writer on SNL. I was like, "I don't know if you remember me?" And he was like, "Oh my god, yeah!" He's a big photography fan, as am I.

I love what I'm doing most of the time, but it's hard work. People only see your albums in the charts. They see us at award shows and after-show parties. They don't know about your doubts, the hard work that goes in.

I don't go to record stores to look at my albums, but it's always a thrill to see them.

Human After All was the music we wanted to make at the time we did it. We have always strongly felt there was a logical connection between our three albums, and it 's great to see that people seem to realize that when they listen now to the live show.

I have come to the conclusion - and I don't know why it took me so long, but nevertheless, I'm here now - that a lot of people tell me they don't get enough guitar on my albums. So I decided to do an album where the guitar would be the singer, playing the melody.

I love scrapbooks. They are one of the finest ways of dejunking life and abode... A good scrapbook is interesting and inspiring even to the stranger...Well put together scrapbooks and photo albums have warmed more hearts than any bound book... Without a good scrapbook, much that's memorable in life is forgotten or damaged or lost.

I've also worked with various producers and artists around the world, which has helped with my international recognition. We've sold a lot of albums online in places like Norway and France. Sometimes we track my hits online daily and we are getting regular hits from people all over the place.

I think in my earlier albums I lived in my head a lot more. The issues I dealt with were all personal, depression or how I would react to certain situations. Now, not feeling too depressed that much anymore, I think about other things. I turn my thoughts outward now.

I don't make summer jams or albums based on time or seasons; my goal is to make quality music, timeless music. I'm not looking at the calendar.