Quotes About Budget

Coolidge cut the budget, and even better, cut it during peace and prosperity. He left a federal budget lower than the one that greeted him when he arrived in office. He managed to freeze or cut the budget over more than five years in office. If you look at charts of presidents - Nixon, Ike, and Reagan - you see them failing on this score.

Look, I've done some low-budget movies and I've done some big-budget movies, and the big-budget movies were always kind of disorganized.

Every family in America knows they have to do a budget. Every small business in America knows they have to do a budget. Every local government, every state, knows they have to do a budget.

Decreasing the budget on the space exploration is nothing but a great treason to humanity! Space exploration is closely related to our very existence! Cut the budget on other things and increase the budget on the space exploration! Think great; if you do not think great, universe annihilates you!

Perhaps women are lied to more often because managers think they're not going to push back. If you're told, "We don't have the budget right now" and have no access to the budget to prove otherwise, there's not much you can do, but there's no reason why you can't ask if you can reassess in six months. Then, spend those six months chronicling every good thing you do so you return with a stack of data that proves you need that raise.

I was able to lean on people for favors and things to help out because their budget was so low. It was half of what John Travolta's perk package is on a film. Our whole budget was half of what his staff makes on a film.

Food safety oversight is largely, but not exclusively, divided between two agencies, the FDA and the USDA. The USDA mostly oversees meat and poultry; the FDA mostly handles everything else, including pet food and animal feed. Although this division of responsibility means that the FDA is responsible for 80% of the food supply, it only gets 20% of the federal budget for this purpose. In contrast, the USDA gets 80% of the budget for 20% of the foods. This uneven distribution is the result of a little history and a lot of politics.

Sometimes big budget means explosions! CGI! CGI, the possibilities are so limitless that it begins to be impractical. I'm more interested in the kinds of movies where the science fiction world has a set series of rules and you operate in it because of, maybe, constraints in the budget.

But one of the rules I don't like to break is we still do - 95% of our movies are low budget. We're offered bigger, larger budget movies to produce a lot, and we don't do them. That's not to say there aren't exceptions, there are a few exceptions, but I try and stick by the rules that produce what I think is the highest quality, most innovative work and try and let the rules go that make us feel like we're retreading.

Alternate between short films, long form films, with or without stars, small budget or big budget films. Basically a filmmaker needs to be flexible.

I will not cut our military budget by a trillion dollars, which is a combination of the budget cuts Barack Obama has, as well as the sequestration cuts. That, in my view, is making our future less certain and less secure.

Having a big budget, I have no problem with spending the movie. It's fantastic to have a big budget. It gives a lot of time. It gives a lot of freedom. What's difficult is raising the money beforehand, and then when the investor wants the money back, afterwards.

Maybe it's just a matter of getting older and being aware that the market for medium-budget and low-budget films, which is of course what I spent most of my life making, has diminished. And maybe the quantity of ideas has diminished a little bit.

We are men on a budget. I mean, why go all the way to Amsterdam when you can just go to Harry Hines?

But you have to have a vision of what kind of military you are trying to build in order to get the [budget] cuts to make sense.

The Cannes film festival is about big-budget films but also remarkable films made in different political regimes by film-makers with little resources.

Whereas, if you just say all right, let's try to bring in some recurring people, maybe that will alleviate some of the burdens on the budget moving forward.

Can there be a more lamentable picture than that of a Chancellor of the Exchequer seated on an empty chest by a pool of bottomless deficiency fishing for a budget?

Of course, tax revenues have ended up being substantially higher than they were at the time these dire projections were made, and we are very close now to having a balanced budget. All that has been very helpful.

The largest portion of our state budget is Health and Human Services. It will grow by approximately $500 million. A half a billion dollars is a very big number.

Yes, you can have art films about the triumph of the human spirit and all of that, but you'll have it done with a big-budget icon with a $20 million salary. You'll have Julia Roberts, you'll have Robert Redford, you'll have Russell Crowe doing those films, because if they're going to cost $90 million, they're going to make that movie for a public that's very large and mainstream. They're not going to make it for three or four million black people.

It's really important, obviously, for people to realize that it is a very small percentage, only 1 percent of our total economy, of our total budget, and I think that's important for people to know. But I also know that Americans are very generous and that many, many Americans are proud that their taxpayer dollar has saved lives in Africa through the president's malaria initiative or through PEPFAR, the emergency relief plan for AIDS.

People know what happened in California, and they know it can happen again and again. They know that no group has passed more ballot measures than we have. They know we have a focused strategy. They know we have a budget of $150 million a year. And they know we're ready for a fight.

The success of the film should depend on its budget.

I was a novelist first. But in the mid 80s, I did work in television for ten years. And yes, that was frequently the reaction to my scripts. People would say, you know, George, this is great. We love it, a terrific script, but it would cost five times our budget to shoot this.

It's a world creation show [Shadowhunters], so we've gotta work hard in the physical production capacity with the visual effects, the sets and everything. It's not just the real world with two people chatting in a diner. That's tough on a television budget.

The reality is, the United States has global interests. Our defense budget is about the same as the defense budgets or military budgets of every other country in the world put together.

Beyond budget fights, the Obama second-term agenda was supposed to be about passing comprehensive immigration reform.

The Stonehenge proposal got a lot of interesting criticism. One of the best - or worst - said something like, "Go home to Las Vegas." I think this project could possibly be realized at a very late part of my career. Right now, I don't have the authority, the budget, the credibility.

The national budget must be balanced. The public debt must be reduced; the arrogance of the authorities must be moderated and controlled. Payments to foreign governments must be reduced. If the nation doesn't want to go bankrupt, people must again learn to work, instead of living on public assistance.

Get out and make films. There are so many cameras now to suit any budget, so there are no excuses.

At heart, Sussman was a theoretician. In another age, he might have been a Talmudic scholar. He had cultivated a Socratic method, zinging question after question at the reporters: Who moved over from Commerce to CRP with Stans? What about Mitchell's secretary? Why won't anybody say when Liddy went to the White House or who worked with him there? Mitchell and Stans both ran the budget committee, right? What does that tell you? Then Sussman would puff on his pipe, a satisfied grin on his face.

You know, we certainly have a great budget on the show, but the expansions to world of the show really arise because, and this is kind of the idea of the premise of the show, where is each week you're kind of meeting . . . It's random access.

When you live in Israel, there are restrictions which come from budget definitely. I came to the point where I had shot many fiction, many feature films, but at one point it began to bore me. It was boring because when you're Gordon Willis or when you are a legend of American cinematography, you know that you are gradually building yourself and you can go into bigger budgets and experiment more. In Israel, the budgets are very, very limited.

The budget was unlimited, but I exceeded it.

Sometimes little things can prolong an experience in a way that you run over budget. It's very scientific; a lot of people don't understand the science that goes behind making a film.

The costs of the Bush-Obama wars in Iraq and Afghanistan are now estimated to run as high as $4.4 trillion - a major victory for Osama bin Laden, whose announced goal was to bankrupt America by drawing it into a trap. The 2011 military budget - almost matching that of the rest of the world combined - is higher in real terms than at any time since World War II and is slated to go even higher .

I didn't know there were at least as many terrible independent movies as there are big-budget ones. Like, every single year. And bad in a worse way, too. They're just parodies of themselves sometimes.

We can't get to the $4 trillion in savings that we need by just cutting the 12 percent of the budget that pays for things like medical research and education funding and food inspectors and the weather service. And we can't just do it by making seniors pay more for Medicare.

Most of the time, you find that the smaller the budget, the more the project is about something substantive.

If a budget is designed to show our values, it's clear where the majority stands: against opportunity, against education, and against America's hard-working, tax-paying middle class.

When Mitt Romney says he wants to reform the tax code, hold on to your wallets. We know Mitt Romney never met a tax haven he didn't like. But his new favorite tax haven is actually not the Cayman Islands - its Paul Ryan's budget.

It’s not about the budget; it’s about the power...So will the attack on unions succeed? I don’t know. But anyone who cares about retaining government of the people by the people should hope that it doesn’t.

We're on the verge of a financial collapse unless we balance the budget, and that means some really, really tough decisions.

The poor have been sent to the front lines of a federal budget deficit reduction war that few other groups were drafted to fight.

Invariably, what I'm trying to do is more ambitious than the budget, but we manage to do it somehow.

The measure in the budget in relation to parental leave pay is based on a simple proposition. Most women across Australia have access to one scheme funded by the taxpayer. Some women have access to two schemes and that's great.

That was the appealing thing about comics: There literally is no budget in comics. You're only limited by your imagination.