Quotes About Classical

My father was able to play a number of musical instruments and I fell in love with classical music in my teens and I allowed it to influence me. I like to think I took and still do from classical music and various techniques, I have made classical albums and recorded seven different pieces of Bach on different albums and its all music too me.

There is no essential difference between classical and popular music. Music is music. I want to communicate with the listener who finds Indian classical music remote.

'Godfather' was very classical, the way it was shot, the style, the whole driving force of it was more classical, almost Shakespearean.

With rock music, the amount of power that you can generate, the intensity behind the intentions of your lyrics that you can really reflect through rock music - you can't do that in jazz. You can't do that with classical.

Classical music fulfills for me the function of narrative. I spend 90 minutes a day listening to symphonic music - Beethoven to Bartók - some chamber pieces, and that's my enrichment.

All good art has contained both abstract and surrealist elements, just as it has contained both classical and romantic elements - order and surprise, intellect and imagination, conscious and unconscious. BOTH SIDES of the artist's personality must play their part.

I would like for people to not be stuck by the rules of what is expected of a classical musician. If you really want to do something different, don't be afraid to do so. Think of music itself and not the rules or expectations of people.

I was able to turn to classical music many people, and this is one of the nicest achievements I can have.

Do you know what I've learned? That although ecstasy is the ability to stand outside yourself, dance is a way of rising up into space, of discovering new dimensions while still remaining in touch with your body. When you dance, the spiritual world and the real world manage to coexist quite happily. I think classical ballet dancers dance on pointe because they're simultaneously touching the earth and reaching up to the skies.

Jazz, for me, is a closed circuit, like the term baroque in the world of classical music.

I did all the musicals in high school, and I loved it. And then I got to theater school at college, and was like, "No, I'm a serious actor. I want to do Shakespeare. I want to do classical theater." I took myself very seriously.

I love music, especially classical like Verdi; it's a great way to relax.

Another classical music teacher from Performing Arts that I've stayed in contact with is Jonathan Strasser.

My sense of the poet is classical - the poet is one who makes poems. In each book, I develop and repeat certain general themes - time, place, memory, God, history, class, race, beauty, love, poetry, identity. The core identity is the poet making the poems.

Hypostatized into a ritual pattern, Marxian theory becomes ideology. But its content and function distinguish it from classical forms of ideology; it is not false consciousness, but a rather consciousness of falsehood, a falsehood which is corrected in the context of the higher truth represented by the objective historical interest.

It is becoming increasingly difficult to decide where jazz starts or where it stops, where Tin Pan Alley begins and jazz ends, or even where the borderline lies between between classical music and jazz. I feel there is no boundary line

Contrary to popular opinion, classical music does not have to be enjoyed amid exclusive circles, there need not be any snobbishness attached to it. It's there for everyone. I play for the people.

The creation story unfurling within the scientific enterprise provides the fundamental context, the fundamental arena of meaning, for all the peoples of the Earth. For the first time in human history, we can agree on the basic story of the galaxies, the stars, the planets, minerals, life forms, and human cultures. This story does not diminish the spiritual traditions of the classical or tribal periods of human history. Rather, the story provides the proper setting for the teachings of all traditions, showing the true magnitude of their central truths.

That's the thing - you do a job like 'Shameless,' and suddenly that's why you can get a job like 'The Virgin Queen', not because of all the classical theatre you've done. But we can be very snippy about television. It's absolutely the most potent and powerful form of storytelling we have.

I grew up mostly in Champaign, Illinois. My dad was at the University of East Illinois, so I was always around the music. One of my dad's buddies was the avant-garde composer John Cage, so I picked up on that weird classical and eclectic music.

As a rule, my focus is on classical music, but I love jazz. I love everything, actually.

I'm a very free woman, and maybe freedom is erotic in that way. Maybe it's conceived of as something dangerous, and dangerous - in that creative and wild way - is sensuous and erotic. For me it's more about making what I feel, but there's always a reason, a level of integrity and classical expression in what I do.

Classical theology defines sin as 'rebellion against God.' The answer is not incorrect as much as it is shallow and insulting to the human being. Every person deserves to be treated with dignity even if he or she is a 'rebellious sinner'.

Turbulence is the most important unsolved problem of classical physics.

I've been a faithful reader of the great classical documents of economics, or tried to be. The first book in the field that I ever read was Principles of Economics by Alfred Marshall. I suppose subsequently I would have to pick out Keynes, Adam Smith, Marx.

Violin for me is a great instrument because you can use it as a rhythmical instrument and also as a melodic instrument. ... You can pretty much do everything with the violin. Sometimes I feel classical music limits the violin.

If repression has indeed been the fundamental link between power, knowledge, and sexuality since the classical age, it stands to reason that we will not be able to free ourselves from it except at a considerable cost.

Classical, Romantic, and Baroque music, that's what I really like.

I was trained at classical piano as a youngster back in PA. To rebel, I bought a drum set and played in some rock & roll bands. In college I picked up a guitar and became obsessed with practicing which led to playing guitar in indie rock bands in the mid 90's. Which led me to Los Angeles.

There's a richness to the old works if you look before the 1950s. The chord progressions and the language was more complicated, especially in the jazz and classical world.

I'd like to do some more classical work if I do some more theatre.

My family were all into classical music, and I found that very intimidating.

There has been a seismic shift in the business world. The great classical business principles still hold true but they need to be fused with cutting edge internet technology.

Classical theology has erred in its insistence that theology be 'God-centered,' not 'man-centered'.

I just really gravitate towards a nostalgia for a time when things were simpler. When beauty was more classical and glamorous.

I love things that are very broad. I love alternative, rock, hip hop, rap, and I'll go to classical or jazz.

I went to the University/Resident Theatre Association auditions. Deans come and watch you in this theater. You have three minutes, and you have to do two contrasting monologues - at that time, this is 2003 - one classical and one contemporary.

I'd started going to acting classes at 14, played 'Medea' at 15 and really wanted to be a classical actress.

I've been extremely lucky to work with Elmer Bernstein, Howard Shore over the years, but I've always imagined films with my own scores, because I don't come from that world or that period of filmmaking. And so how could I make up my own score on a film like this where it isn't necessarily made up of popular music from the radio or the period; it isn't necessarily classical music. But what if it's modern symphonic music?

A well-rounded performer will listen to all kinds of music. I like classical, Middle Eastern, and rock a lot.

Chess is my profession. I am my own boss; I am free. I like literature and music, classical especially. I am in fact quite normal; I have a Bohemian profession without being myself a Bohemian. I am neither a conformist nor a great revolutionary.

The period of Catholic ascendancy was on the whole one of the most deplorable in the history of the human mind. . . . The spirit that shrinks from enquiry as sinful and deems a state of doubt a state of guilt, is the most enduring disease that can afflict the mind of man. Not till the education of Europe passed from the monasteries to the universities, not till Mohammedan science, and classical free thought, and industrial independence broke the sceptre of the Church, did the intellectual revival of Europe begin.

That is a very good question. I don't know the answer. But can you tell me the name of a classical Greek shoemaker?

Any material can be treated in any number of ways. Sometimes I might hear something, or someone else might hear something, and say, "Wow, that sounds like classical music." Somebody else might think it sounds like a slow jam.

Plato's dialogues bear at least some similarities to the classical plays.

Jazz isn't like pop, where you sell millions of records with a hit. Your spirit and soul aren't important in pop music. But jazz is like classical music. If people like you, they'll remember you and you'll last forever.

I think it's useful to experience other types of dance and other cultures, and the life of a classical dancer these days is certainly not all tutus! So experience of other dance forms is a good idea.

A consistent pursuit of classical physics forces a transformation in the very heart of that physics.