Quotes About Classical

Personally, I think young musicians need to learn to play more than one style. Jazz can only enhance the classical side, and classical can only enhance the jazz. I started out playing classical, because you have to have that as a foundation.

There was a show in Germany called Beat Club, and they had a lot of bands playing live. And I had this master plan, at 11 years old, I wanted to play electric guitar, but I knew... We lived in a small apartment, there was no way that was going to happen. I told my parents I wanted a classical guitar and I wanted to start studying classical guitar. So then a few years later, I think around 16 or so, I started playing electric. But that was my, my plan as an 11 year old. I thought I was so crafty.

I can think and play stuff in classical music that possibly violinists who didn't have access to other types of music could never do. It means I'm more flexible within classical music, to be a servant to the composer.

Go back to classical times, say classical Greece. Who drank the hemlock? Was it someone who was conforming, obeying the gods? Or was it someone who was disrupting the youth and questioning the faith and belief? Socrates, in other words. It was Socrates.

And what classical music does best and must always do more, is to show this kind of transformation of moods, to show a very wide psychological voyage. And I think that's something that we as classical musicians have underestimated.

If you look at the image [ Portrait of the Artist as a Shadow of His Former Self ], it treads on a kind of popular stereotypical image of the black figure, in both its flatness and slightly comic edge. To take that image as a starting point and to render it in a proto-classical medium, like egg tempera, and then use a repertoire of classical compositional devices to make the picture was a way of setting up an engagement with art history.

It's not that people don't like classical music. It's that they don't have the chance to understand and to experience it.

Apparently, in the Avesta classical period no one would have dreamed of having a spiritual experience without resort to drugs.

Today is such a time, when the project of interpretation is largely reactionary, stifling. Like the fumes of the automobile and of heavy industry which befoul the urban atmosphere, the effusion of interpretations of art today poisons our sensibilities. In a culture whose already classical dilemma is the hypertrophy of the intellect at the expense of energy and sensual capability, interpretation is the revenge of the intellect upon art.

My father is doing a radio program - classical music. He has a beautiful speaking voice and that's his passion in life, his music. My mother lives in Melbourne and is an avid photographer. She's also started writing for a magazine out there and she submits poems, very funny ones, and articles. In some way or other, my family is always doing something with the media.

All good art has contained both abstract and surrealist elements, just as it has contained both classical and romantic elements - order and surprise, intellect and imagination, conscious and unconscious. BOTH SIDES of the artist's personality must play their part.

A bride should look at everything she possibly can...just so she can experiment and see what makes her really feel beautiful or glamorous or classical or whatever she desires to be on that particular day.

I think any classical training in the theatre is of enormous value.

I wasn't listening to that much classical music - not much more than anything else. I was really lucky to have parents who loved all kinds of music.

I had to listen to the classical music because it calms me down, calms my nerves down.

Parents...rigidly monitor the selection of television programs...and other forms of entertainment for your family. Foster in your homes a love of knowledge through uplifting literature; wholesome books; selective movies; classical and exemplary popular music; entertainment that uplifts and edifies the spirit and mind.

I learned the cello , but I would still need a massive amount of practice. But I do play classical music, so I understand where that comes from.

It has been said that if the opening phrase of a classical minuet can be fitted to the words "Are you the O'Reilly who owns this hotel?" then it was written by Haydn; if it can't then it wasn't.

Opera Australia has a mix - it produces new work, it produces from the classical repertoire and, particularly in more recent years, it's done those blockbuster musicals which are very lucrative for it and reach an audience that classic opera or a new opera perhaps wouldn't reach, like South Pacific for example.

I did everything I could to not bring in any of the - any of the technical things I got from classical into jazz. And I did everything to really base it on my speaking voice and to just not try to make it sound pretty.

One of the things that benefited me that anyone can learn is classical technique. That shows the orchestra that exists within the instrument.

Artists, whether they're classical musicians or pop musicians, they have always been the reflection of society, and in many ways a healing part of whatever is wrong in society, and I think it's important for us to continue to do that, and I don't see enough of it today.

When I was doing Shakespeare and I had spent a lot of time and effort in trying to become a great Shakespearean actress. That was how I started my career, was in the theater doing Shakespeare. And my ambition was to be a great classical actress. That was what I wanted more than anything. So, I really pursued that in the first four years of my career. And it was an uphill struggle. It really was. Shakespeare's difficult and Shakespeare in a big theater is even more difficult. So, anyway, it was a struggle for me.

Perhaps if the year was 1447 instead of 1947 I might have hoodwinked my gentle nature by administering her some classical poison from a hollow agate, some tender philter of death. But in our middle-class nosy era it would not have come off the way it used to in the brocaded palaces of the past. Nowadays you have to be a scientist if you want to be a killer.

The classical man's worst fear was inglorious death; the modern man's worst fear is just death

Running is the classical road to self-consciousness, self-awareness, and self-reliance.

You always have to be diplomatic with music, with classical, with whatever you do.

His wardrobe was extensive-very extensive-not strictly classical perhaps, not quite new, nor did it contain any one garment made precisely after the fashion of any age or time, but everything was more or less spangled; and what can be prettier than spangles!

Mystery. The strangeness of place so necessary to some creative spirits. A perfect mixture of the classical utopia and the pagan mystery.

I'm pretty optimistic about the future of rock... it will be back to composition as in classical music or jazz.

I play piano and trumpet. I studied classical guitar.

I'd like to do some more classical work if I do some more theatre.

Science spotlights three dimensions of nature that point to God. The first is the fact that nature obeys laws. The second is the dimension of life, of intelligently organized and purpose-driven beings, which arose from matter. The third is the very existence of nature. But it is not science alone that has guided me. I have also been helped by a renewed study of the classical philosophical arguments.

I haven't come across any recent new ideas in film that strike me as being particularly important and that have to do with form. I think that a preoccupation with originality of form is more or less a fruitless thing. A truly original person with a truly original mind will not be able to function in the old form and will simply do something different. Others had much better think of the form as being some sort of classical tradition and try to work within it.

I went through eight years of classical piano lessons without being able to read notes. I only have to hear a melody to be able to play it. It used to freak my piano teacher out when he finally noticed that notes don't make any sense to me and that I played by ear.

When I was a young musician, the only option available to pursue secondary education in music was to attend a classical conservatory.

Marx set out to resolve the contradictions and to correct the errors in classical political economy. In this he thought he had succeeded very well. Judging by the sound and the fury of the controversy surrounding his interpretations, he either succeeded too well or deluded himself to the success of his enterprise.

Classical music has been based on works people love and come back to for aural comfort.

The most important thing to do as an artist is to get out of your comfort zone and work with different people: people who can't read a note of music, people who have incredible classical skills, blues and jazz musicians, pop artists, visual artists, dancers and actors. Learn from people who are creative in a different way to you and you'll keep evolving.

That is a very good question. I don't know the answer. But can you tell me the name of a classical Greek shoemaker?

I don't think I'll ever want to do pop music. I think I'll only ever want to do classical crossover because it's something that I love, and pop just doesn't work for me.

You have to get through the Hamlet hoop as a young actor. Your classical qualifications are based on the quality of your Hamlet. And then, as an older actor, you have to get through the Lear hoop. And I'm approaching the Lear hoop.

Any material can be treated in any number of ways. Sometimes I might hear something, or someone else might hear something, and say, "Wow, that sounds like classical music." Somebody else might think it sounds like a slow jam.

As I got older though I wanted a life of my own. The classical training was very demanding and thorough. It was a very sheltered existence. Even though I heard blues and gospel on the radio sometimes, it was always back to the piano and study and give recitals.

Indeed, I find it illuminating to consider to what extent our "classical conditions" for economic growth are satisfied in the current, monopolistic phase of capitalism.

But if you listen to great piano players, both classical and jazz, theres a huge range of dynamics and colors and emotional expression thats possible with the instrument.

'Participant' is the incontrovertible new concept given by quantum mechanics. It strikes down the 'observer' of classical theory, the man who stands safely behind the thick glass wall and watches what goes on without taking part. It can't be done, quantum mechanics says it...May the universe in some sense be 'brought into being' by the participation of those who participate?

One’s life, liberty and the products of one’s labor were not intended to be up for grabs by grubby, greedy majorities. Contra classical natural law theory, legal positivism equates justice with the law of the state. However, from the fact that most Americans want others to fund or subsidize their health care, it does not follow that they have such a right. A need is not a right.