Quotes About Imagination

All human accomplishment has this same origin, identically. Imagination is a force of nature. Is this not enough to make a person full of ecstasy? Imagination, imagination, imagination! It converts to actual. It sustains, it alters, it redeems!

Want of imagination makes things unreal enough to be destroyed. By imagination I mean knowledge and love. I mean compassion. People of power kill children, the old send the young to die, because they have no imagination. They have power. Can you have power and imagination at the same time? Can you kill people you don’t know and have compassion for them at the same time?

No one knows very much about the life of another. This ignorance becomes vivid, if you love another. Love sets the imagination on fire, and, also, eventually, chars the imagination into a harder element: imagination cannot match love, cannot plunge so deep, or range so wide.

If you don't have imagination, you stop being human; animals don't have imagination; Alzheimer's is the death of imagination.

Half the interest of a garden is the constant exercise of the imagination. You are always living three, or indeed six, months hence. I believe that people entirely devoid of imagination never can be really good gardeners. To be content with the present, and not striving about the future, is fatal.

You gave too much rein to your imagination. Imagination is a good servant, and a bad master. The simplest explanation is always the most likely.

Without imagination, you live in a small room with the windows closed. Imagination opens the windows and shows us landscapes, horizons that we would not otherwise perceive…I want education to empower people to see possibility.

Fiction is not imagination. It is what anticipates imagination by giving it the form of reality.

There is no such thing as experience here. You seem to know, you imagine. Imagination must come to an end...I don't know how to put it. The absence of imagination, the absence of will, the absence of effort, the absence of all movement in any direction, on any level, in any dimension - THAT is the thing. That is a thing that cannot be experienced at all. It is not an experience.

It takes a lot of imagination to be a good photographer. You need less imagination to be a painter because you can invent things. But in photography everything is so ordinary; it takes a lot of looking before you learn to see the extraordinary.

We have been led to imagine all sorts of things infinitely more marvelous than the imagining of poets and dreamers of the past. It shows that the imagination of nature is far, far greater than the imagination of man. For instance, how much more remarkable it is for us all to be stuck-half of us upside down-by a mysterious attraction, to a spinning ball that has been swinging in space for billions of years, than to be carried on the back of an elephant supported on a tortoise swimming in a bottomless sea.

To say that a thing is imaginary is not to dispose of it in the realm of mind, for the imagination, or the image making faculty, is a very important part of our mental functioning. An image formed by the imagination is a reality from the point of view of psychology; it is quite true that it has no physical existence, but are we going to limit reality to that which is material? We shall be far out of our reckoning if we do, for mental images are potent things, and although they do not actually exist on the physical plane, they influence it far more than most people suspect.

I'm asked all the time, "Doesn't it feel great to finish the novel?" And the answer to that is, "No." It's sort of a loss to stop a 10-year project, which is an imaginary project in the sense that it's a work of my imagination. The people who I've lived with for 10 years in my imagination are now sort of defunct. To lose them is rather a mournful process - it's not a relief.

Imagination! Imagination! I put it first years ago, when I was asked what qualities I thought necessary for success on the stage.

Well, there's a great Marlon Brando quote that to do something well you have to spiritually marry your director. You have to be making the same movie they are in that you have to try to help their imagination be better, and more full, and more fully realized, but you can't have a different imagination because then you end up - and you see this a lot in movies - where it feels like they were making five different films.

The true power is in the imagination which dares to speculate upon that which is not yet. The imagination, backed by great expectations, can bring about almost any reality within the range of probabilities.

Isaac Watts, of course, is a hymn writer in the tradition of Congregationalism who lived in the seventeenth and early eighteenth century. He is very interesting and important because he was also a metaphysician. He knew a great deal about what was, for him, contemporary science. He was very much influenced by Isaac Newton, for example. There are planets and meteors and so on showing up in his hymns very often. But, again, the scale of his religious imagination corresponds to a very generously scaled scientific imagination.

Your imagination can focus on ugliness, distress and failure, or it can picture beauty, success, desired results. You decide how you want your imagination to server you.

Never limit yourself because of others' limited imagination; never limit others because of your own limited imagination.

Civility is a work of the imagination, for it is through the imagination that we render others sufficiently like ourselves for them to become subjects of tolerance and respect, if not always affection.

To the engineer, all matter in the universe can be placed into one of two categories: (1) things that need to be fixed, and (2) things that will need to be fixed after you've had a few minutes to play with them. Skill without imagination is craftsmanship and gives us many useful objects such as wickerwork picnic baskets. Imagination without skill gives us modern art.

Know why people run marathons? …Because running is rooted in our collective imagination, and our imagination is rooted in running. Language, art, science; space shuttles, Starry Night, intravascular surgery; they all had their roots in our ability to run. Running was the superpower that made us human — which means its a superpower all humans posses.

Your Imagination is YOU yourself, and the world as your Imagination sees it is the real world.

Imagination inspires you to look at everything with fresh eyes, as though you had just come forth from a dark tunnel into the light of day. Imagination becomes for you a magic lamp with which to search the darkness of the unknown, that you may discover new goals or chart more productive paths to old goals.

Just as one's imagination is stirred by a girl's smile, so is one's imagination stirred by the possibilities of chess.

Conflict acting on intelligence creates imagination. Faced with conflict, creatures are forced to imagine what will happen, where the next threat will come from. If there has never been conflict, imagination never develops. Wits arise in answer to danger, to pain, to tragedy. No one ever got smarter eating easy apples.

In physics, one of the most exciting areas is in nanotech. With computers exhausting the power of silicon, Silicon Valley could become a Rust Belt, unless we can find replacements, such as quantum computers and molecular computers. To be a leader in any field, one has to have a great imagination. Sure, we have to know the basics and fundamentals. But beyond that, we have to let our imagination soar.

"Le génie n'est qu'une longue patience", a dit Buffon. Cela est bien incomplet. Le génie, c'est l'impatience dans les idées et la patience dans les faits : une imagination vive et un jugement calme; quelque chose comme un liquide en ébullition dans un vase qui reste toujours froid. "Genius is just enduring patience," said Buffon. This is far from complete. Genius is impatience in ideas and patience with the facts: a lively imagination and a calm judgment, rather like a liquid boiling in a cup that remains cold.

To the eyes of the man of imagination, nature is imagination itself.

There is a mystery about this which stimulates the imagination; where there is no imagination there is no horror.

When the eye or the imagination is struck with an uncommon work, the next transition of an active mind is to the means by which it was performed

An enchanted world is one that speaks to the soul, to the mysterious depths of the heart and imagination where we find value, love, and union with the world around us. As mystics of many religions have taught, that sense of rapturous union can give a sensation of fulfillment that makes life purposeful and vibrant.

Just about this time, when in imagination I was so great a warrior, I had good use in real life for more strength, as I was no longer taken to school by the nurse, but instead had myself to protect my brother, two years my junior.

The Universal mind is not only intelligence, but it is substance, and this substance is the attractive force which brings electrons together by the law of attraction so they form atoms; the atoms in turn are brought together by the same law and form molecules; molecules take objective forms and so we find that the law is the creative force behind every manifestation, not only of atoms, but of worlds, of the universe, of everything of which the imagination can form any conception.

Profound meditation in solitude and silence frequently exalts the mind above its natural tone, fires the imagination, produces the most refined and sublime conceptions. The soul then tastes the purest and most refined delight, and almost loses the idea of existence in the intellectual pleasure it receives. The mind on every motion darts through space into eternity; and raised, in its free enjoyment of its powers by its own enthusiasm, strengthens itself in the habitude of contemplating the noblest subjects, and of adopting the most heroic pursuits.

ROMANCE, n. Fiction that owes no allegiance to the God of Things as They Are. In the novel the writer's thought is tethered to probability, but in romance it ranges at will over the entire region of the imagination . . .

I came to believe it not true that "the coward dies a thousand deaths, the brave man only one." I think it is the other way around: It is the brave who die a thousand deaths. For it is imagination, and not just conscience, which doth make cowards of us all. Those who do not know fear are not truly brave.

A good many of my poems over the years have alluded to or taken on the political. Stevens has a line in one of his essays: "Reality exerts pressure on the imagination." Inevitably what is omnipresent in the culture exerts its pressure on our imaginations to respond to it, even if indirectly. But in this case the backdrop of 9/11, coincident with the breakup of a marriage, the finding of new love, some kind of personal cataclysm... all of those were forces informing the poems in some way.

The basis of action is lack of imagination. It is the last resource of those who know not how to dream.

Your imagination comes to life, and this, you think, is where Creation was begun.

To imagine the unimaginable is the highest use of the imagination

The inability to envision a certain kind of person doing a certain kind of thing because you've never seen someone who looks like him do it before is not just a vice. It's a luxury. What begins as a failure of the imagination ends as a market inefficiency: when you rule out an entire class of people from doing a job simply by their appearance, you are less likely to find the best person for the job.

I'll confess right here that I secretly wish I'd have drawn a strip about a little boy with a fake tiger, going for adventures throughout the universe in spaceships of his imagination.

Regardless of who originally made it popular, any hit song becomes a challenge to the ingenuity and imagination of other musicians and performers.

I guess I'm a very keen observer, and I'd like to think I have a good imagination.

Such self-transformation is the most difficult and dangerous challenge to the imagination, and it is the most rewarding. Meeting it is only possible for the person whose mind is open to contradictions and well-practiced in free conjecture.

Actually, the suburbs are far more sinister places than most city dwellers imagine. Their very blandness forces the imagination into new areas. I mean, one's got to get up in the morning thinking of a deviant act, merely to make certain of one's freedom. It needn't be much; kicking the dog will do.

Are there any mythical beasts which aren't simple pastiches of nature? Centaurs, minotaurs, unicorns, griffons, chimeras, sphinxes, manticores, and the like don't speak well for the human imagination. None is as novel as a kangaroo or starfish.