Quotes About Literature

Books should confuse. Literature abhors the typical. Literature flows to the particular, the mundane, the greasiness of paper, the taste of warm beer, the smell of onion or quince. Auden has a line: "Ports have names they call the sea." Just so will literature describe life familiarly, regionally, in terms life is accustomed to use -- high or low matters not. Literature cannot by this impulse betray the grandeur of its subject -- there is only one subject: What it feels like to be alive. Nothing is irrelevant. Nothing is typical.

One of the things I always underscore when I teach criticism is that young critics, or would be critics, frequently have this illusion that if they write about music they're somehow part of music, or if they write about movies they're part of movies, or of they write about theater they're part of theater, or write about literature. Writing is a part of literature, we belong the species of literature. If you add all the music reviews together that have ever been written, they don't create two notes of music.

I think it can be tremendously refreshing if a creator of literature has something on his mind other than the history of literature so far. Literature should not disappear up its own asshole, so to speak.

Literature, the study of literature in English in the 19th century, did not belong to literary studies, which had to do with Greek, Latin, and Hebrew, but instead with elocution and public speaking. So when people read literature, it was to memorize and to recite it.

Part of my methodological approach is made explicit when I discuss ways in which literature can have philosophical significance. Literature doesn't typically argue - and when it does, it's deadly dull. But literature can supply the frame within which we come to observe and reason, or it can change our frame in highly significant ways. That's one of the achievements I'd claim for Mann, and for Death in Venice.

I see no reason in morality, why literature should not have as one of its intentions the arousing of thoughts of lust. It is one of the effects, perhaps one of the functions of literature to arouse desire, and I can discover no grounds for saying that sexual pleasure should not be among the objects of desire which literature presents to us, along with heroism, virtue, peace, death, food, wisdom, God, etc.

The cinema is not an art which films life: the cinema is something between art and life. Unlike painting and literature, the cinema both gives to life and takes from it, and I try to render this concept in my films. Literature and painting both exist as art from the very start; the cinema doesn't.

I'm a big believer in pairing classics with contemporary literature, so students have the opportunity to see that literature is not a cold, dead thing that happened once but instead a vibrant mode of storytelling that's been with us a long time - and will be with us, I hope, for a long time to come.

Hindu religious literature, indeed all religious literature, is full of illustrations to prove the truth.

The attempt to devote oneself to literature alone is a most deceptive thing, and ... often, paradoxically, it is literature that suffers for it.

Literature - creative literature - unconcerned with sex, is inconceivable.

After reading Edgar Allan Poe. Something the critics have not noticed: a new literary world pointing to the literature of the 20th Century. Scientific miracles, fables on the pattern A+ B, a clear-sighted, sickly literature. No more poetry but analytic fantasy. Something monomaniacal. Things playing a more important part than people; love giving away to deductions and other forms of ideas, style, subject and interest. The basis of the novel transferred from the heart to the head, from the passion to the idea, from the drama to the denouement.

I think any good literature, whether it's for children or for adults, will appeal to everybody. As far as children's literature goes, adults should be able to read it and enjoy it as much as a child would.

In journalism, if there's a hole in your story you figure out a way around it because you've got a 4 p.m. deadline. It's a neat skill to have but it's deadly for literature. In literature, you need to stare at that hole, not ignore it. You need to figure it out.

National literature does not mean much these days; now is the age of world literature, and every one must contribute to hasten thearrival of that age.

If the purpose of literature is to illuminate human nature, the purpose of fantastic literature is to do that from a wider perspective. You can say different things about what it means to be human if you can contrast that to what it means to be a robot, or an alien, or an elf.

I think that Indian writing in English is a really peculiar beast. I can't think of any literature - perhaps Russian literature in the nineteenth century comes close - so exclusively produced by and closely identified with a tiny but powerful ruling elite, the upper-caste, Anglophone upper middle class, and dependent for so long on book buyers and readers elsewhere.

I think about Chilean literature as a family, because I grew up reading the literature of my country. I feel like I have fathers and stepfathers and a lot of brothers and sisters and distant cousins and all that.

The important task of literature is to free man, not to censor him, and that is why Puritanism was the most destructive and evil force which ever oppressed people and their literature: it created hypocrisy, perversion, fears, sterility.

The market literature, which was particularly strong in Igboland, in Onitsha, today it is no longer strong. It is one of the victims of the civil war, that market was actually destroyed and at the end of the war a new Nigeria has struggled to come into being and I believe that what is probably going to replace the market literature might be the video, which they have taken to in a big way, creating dramas. So that may be the next thing way we will see coming out of the local basic level in our society.

Any literature, when it arrives at being good literature, transcends genre.

American literature has never been content to be just one among the many literatures of the Western World. It has always aspired to be the literature not only of a new continent but of a New World.

The first forms of writing emerged not for art, literature, or love, not for spiritual or liturgical purposes, but for business--all literature could be said to originate from sales receipts (sorry).

Painting is literature in colors. Literature is painting in language.

I like books. I've always got a literature book going. I'd be in there reading, in my off time.

The culture of France is unique because it's a culture that has a high priority on the arts, more than any other place in the world in our time since Greece. So as a practicing artist, if you will, this is home ground. They love us, so music, literature, art continues to be the center.

Gender consciousness has become involved in almost every intellectual field: history, literature, science, anthropology. There's been an extraordinary advance

Music is the literature of the heart; it commences where speech ends.

Science is a limited way of knowing, looking at just the natural world and natural causes. There are a lot of ways human beings understand the universe - through literature, theology, aesthetics, art or music.

Theology is a non-subject. I'm not saying that professors of theology are non-professors. They do interesting things, like study biblical history, biblical literature. But theology, the study of gods, the study of what gods do, presupposes that gods exist. The only kind of theology that I take account of are those theological arguments that actually argue for the existence of God.

A great memory does not make a mind, any more than a dictionary is a piece of literature.

Editors can be stupid at times. They just ignore that author's intention. I always try to read unabridged editions, so much is lost with cut versions of classic literature, even movies don't make sense when they are edited too much. I love the longueurs of a book even if they seem pointless because you can get a peek into the author's mind, a glimpse of their creative soul. I mean, how would people like it if editors came along and said to an artist, 'Whoops, you left just a tad too much space around that lily pad there, lets crop that a bit, shall we?'. Monet would be ripping his hair out.

The switch that I'd like to throw on is the one that says, "Look, you're a human being whose mind is every bit as active as anybody else's. Your experiences are just as real." For that matter, even if they're even if they're crazy, they're valid. They occurred in this world so they're valid topics for literature.

There are, it is true, at present no great prizes in literature such as are offered by the learned professions, but there are quite as many small ones - competences; while, on the other hand, it is not so much of a lottery.

Literature seemed to be everything then. People looked to it for the strength to live, for guidance, for revelation.

Nonfiction writers are second-class citizens, the Ellis Island of literature. We just can't quite get in. And yes, it pisses me off.

Literature has neglected the old and their emotions. The novelists never told us that in love, as in other matters, the young are just beginners and that the art of loving matures with age and experience.

To know that the Bible is the literature of a barbarous people, to know that it is uninspired, to be certain that the supernatural does not and cannot exist - all this is but the beginning of wisdom.

Each age, each guilty age, builds high walls around its Versailles; and personally I hate those walls most when they are made by literature and art.

If you aren't just brought up in your tribe but interact with other people either directly or vicariously, through journalism and literature, you see what life is like from other points of view and are less likely to demonize them or dehumanize others and more likely to empathize with them.

Literature illuminates life only for those to whom books are a necessity.

One must always be careful of books,' said Tessa, 'and what is inside them, for words have the power to change us.' 'I'm not sure a book has ever changed me,' said Will. 'Well there is one volume that promises to teach one how to turn oneself into an entire flock of sheep-' 'Only the very weak minded refuse to be influenced by literature and poetry,' said Tessa, determined not to let him run wildly off with the conversation.

I learned more about history and literature in the used bookstores in DC than in college libraries.

With fiction, you can talk about plot, character and narrative, whereas a poem brings home the fact that everything that happens in a work of literature happens in terms of language. And this is daunting stuff to deal with.

Héctor Tobar's accomplished first novel affords a perspective that is overdue and urgently needed in North American literature- -an insider's vision of L.A. as a Third World city. The Tattooed Soldier is a riveting book that manages to be at once politically informed and at the same time a psychologically astute study of that most elemental of stories: revenge.

That is exactly the writer's problem. What does literature stand for in a hungry world?

I was trained in the '50s as a New Critic. I remember what literature was like before the New Critics, when people stood up and talked about Shelley's soul and such things

Without a sense of place the work is often reduced to a cry of voices in empty rooms, a literature of the self, at its best poetic music; at its worst a thin gruel of the ego.