Quotes About Myths

It helps to regard soul as an active intelligence, forming and plotting each person's fate. Translators use "plot" to render the ancient Greek word mythos in English. The plots that entangle our souls and draw forth our characters are the great myths. That is why we need a sense of myth and knowledge of different myths to gain insight into our epic struggles, our misalliances, and our tragedies. Myths show the imaginative structures inside our messes, and our human characters can locate themselves against the background of the characters of myth.

A myth is a way of making sense in a senseless world. Myths are narrative patterns that give significance to our existence. Whether the meaning of existence is only what we put into life by our own individual fortitude, as Sartre would hold, or whether there is a meaning we need to discover, as Kierkegaard would state, the result is the same: myths are our way of finding this meaning and significance.

For what are myths if not the imposing of order on phenomena that do not possess order in themselves? And all myths, however they differ from philosophical systems and scientific theories, share this with them, that they negate the principle of randomness in the world.

By almost any measure, the world is better than it has ever been. People are living longer, healthier lives. Many nations that were aid recipients are now self-sufficient. You might think that such striking progress would be widely celebrated, but in fact, Melinda and I are struck by how many people think the world is getting worse. The belief that the world can’t solve extreme poverty and disease isn’t just mistaken. It is harmful. That’s why in this year’s letter we take apart some of the myths that slow down the work. The next time you hear these myths, we hope you will do the same.

Myths, whether in written or visual form, serve a vital role of asking unanswerable questions and providing unquestionable answers. Most of us, most of the time, have a low tolerance for ambiguity and uncertainty. We want to reduce the cognitive dissonance of not knowing by filling the gaps with answers. Traditionally, religious myths have served that role, but today — the age of science — science fiction is our mythology.

Here in the trees it was much easier to believe the absurdities that embarrassed me indoors. Nothing had changed in this forest for thousands of years, and all the myths and legends of a hundred different lands seemed much more likely in this green haze than they had in my clear-cut bedroom. Bella Swan Stephenie Meyer

Without the instruments and accumulated knowledge of the natural sciences... humans are trapped in a cognitive prison. They are like intelligent fish born in a deep shallowed pool. Wondering and restless, longing to reach out, they think about the world outside. They invent ingenious speculations and myths about the origin of the confining waters, of the sun and the sky and the stars above , and the meaning of their own existence. But they are wrong, always wrong because the world is too remote from ordinary experience to be merely imagined.

Myths of the heroes speak most eloquently of man's quest to choose life over death.

... suffering does not ennoble. It destroys. To resist destruction, self-hatred, or lifelong hopelessness, we have to throw off the conditioning of being despised, the fear of becoming the they that is talked about so dismissively, to refuse lying myths and easy moralities, to see ourselves as human, flawed, and extraordinary. All of us extraordinary

There's always someone who secretly believes in myths and legends; or at least parts of them. Those are the people who will look beyond the obvious and see things in this world that are truly wonderful... But they won't say anything, even if they do. Because the rest of us who view the world as logical and scientific wouldn't see the truth if it was posted up on a billboard.

Because so many poets have chosen a political idiom right now in the US and so many poets have assigned value and inherent knowledge to their racial identity and used that as a form of argumentation, I'm thinking now's a good time to buy low for my own poems and write poems that are deeply in the interior and the psyche. There are plenty of people out there working on subjects of political poetry, partisan poetry, all the way through to crossing the threshold of propaganda. I start thinking now's a good time for me to start writing about the myths of my own psyche.

One problem that I kept in mind was that in avoiding the BODY BEAUTIFUL as exhibited in the pseudo-lesbians of David Hamilton or J. Frederick Smith, I ran the risk of reinforcing negative myths, i.e. that lesbians are women who cannot attract men because they do not conform to society's standard of beauty.

What the myths say, is that you have to be the hero of your own life. You're the one who has to take charge of who you are, you're the one who has to take control. And also, you're the one who can bring something to the community.

Stupidity has made enormous progress. It's a sun so shining that we can no longer look at it directly. Thanks to communication media, it's no longer the same, it's nourished by other myths, it sells extremely well, it has ridiculed good sense and it's spreading its terrifying power.

I have always argued that we can't live by or be made to exist outside of mythology, and that every group and nation has, possibly unacknowledged to themselves, some myths by which they live. It remains important to revisit them, understand them and possibly retell them - or at least own up to them - and then it becomes possible to move something. If it's obscure or invisible to you, you can't budge those understandings.

That's how myths are born. Out of our carelessness, out of our tattered nerves, out of jokes that go wrong and flashy gestures.

It takes a very strong brain to resist the absolutes, the myths that the media and the politicians peddle - the idea that if you are too kind, where does it all end? That not to help someone is somehow a good idea.

Belief in a certain series of myths was neither obligatory as a part of the true religion, nor was it supposed that, by believing, a man acquired religious merit and conciliated the favour of the gods.

Myths are a waste of time. They prevent progression.

Much is written about wine ... of its makers, its nuances, its myths. The white hot center of each wine’s mystery lies in humble corners of the world, where growers pour their intention, their character and their love of labor into each wine.

To make sure that my blasphemy is thoroughly expressed, I hereby state my opinion that the notion of a god is a basic superstition, that there is no evidence for the existence of any god(s), that devils, demons, angels and saints are myths, that there is no life after death, heaven nor hell, that the Pope is a dangerous, bigoted, medieval dinosaur, and that the Holy Ghost is a comic-book character worthy of laughter and derision.

In a sense, every human construction, whether mental or material, is a component in a landscape of fear because it exists in constant chaos. Thus children's fairy tales as well as adult's legends, cosmological myths, and indeed philosophical systems are shelters built by the mind in which human beings can rest, at least temporarily, from the siege of inchoate experience and of doubt.

I decided to write about the myths of divorce.

Isn’t this enough? Just this world? Just this beautiful, complex wonderfully unfathomable world? How does it so fail to hold our attention that we have to diminish it with the invention of cheap, man-made myths and monsters?

Religions, of course, have their own demanding intellectual traditions, as Jesuits and Talmudic scholars might attest.... But, in its less rigorous, popular forms, religion is about as intellectually challenging as the average self-help book. (Like personal development literature, mass market books about spirituality and religion celebrate emotionalism and denigrate reason. They elevate the "truths" of myths and parables over empiricism.) In its more authoritarian forms, religion punishes questioning and rewards gullibility. Faith is not a function of stupidity but a frequent cause of it.

Our thesis is that symbols and myths are an expression of man's unique self-consciousness, his capacity to transcend the immediate concrete situation and see his life in terms of 'the possible,' and that this capacity is one aspect of his experiencing himself as a being having a world.

I consider myself a progressive, so my answer would be that we need to be progressive. For some reason the people in power in Mississippi still seem to be invested in these very American myths."The individual is alone." "We pull ourselves up by our bootstraps." "We create success for ourselves, and if we work hard enough then we will succeed and have success beyond our wildest dreams." I think that we need to do away with that kind of thinking and be more aware of history and how the history of this place bears in the present and how it affects people.

Both dreams and myths are important communications from ourselves to ourselves. If we do not understand the language in which they are written, we miss a great deal of what we know and tell ourselves in those hours when we are not busy manipulating the outside world.

I've had five grandparents who have had Alzheimer's. I've been involved in raising money for two decades, so I thought, how could I combine my work with this commitment to helping dementia? One of the myths is that it's an older person's disease. We're seeing early onset dementia among people at 45. It's the disease of everybody.

D.H. Lawrence says that myths are "inexhaustible" because they are symbols of heart mysteries. That is, they can't be exhausted - they somehow have embodied some central human mystery (love, loss, being a body in time, who knows which or what?) and thus can be retold infinitely and still be rich. That's part of your saying: it's old, but it's also new. Or: there's nothing "new" in the human heart, but it still matters lots.

The infectious values and myths transmitted by bad sportswriters may be the deadliest words in the paper.

They do not depend upon mere legends and myths. They are not predicated on the false conception that the Emperor is divine and that the Japanese people are superior to other races.

We know that acid rain has had no significant environmental effect on trees or forests in the United States... It is based on popular myths and half-baked theories.

The more real things get, the more like myths they become.

The main trend with the theme episodes is that anywhere there is a misconception about the way the physical world works, we're finding fertile material. Whether it's in a phrase like "going over like a lead balloon" or "a needle in a haystack," or tackling movie myths or even a genre, like MacGyver or James Bond, we're finding that all these things can lead to people believing the world works in a certain way. It might not be correct, but we can test out if it's true.

When those myths were created, when the Bible was written, man didn't know what an atom or a germ was, or where the sun went at night, or why the women got pregnant. [Laughs.] They needed stories to answer the questions.

In Europe life retreats out of the cold, and exquisite fireside myths have resulted—Balder, Persephone—but [in India] the retreat is from the source of life, the treacherous sun, and no poetry adorns it because disillusionment cannot be beautiful. Men yearn for poetry though they may not confess it; they desire that joy shall be graceful and sorrow august and infinity have a form, and India fails to accommodate them.

Every nation-state tends towards the imperial - that is the point. Through banks, armies, secret police, propaganda, courts and jails, treaties, taxes, laws and orders, myths of civil obedience, assumptions of civic virtue at the top.

There is something feeble and a little contemptible about a man who cannot face the perils of life without the help of comfortable myths.

What is fantastic for me is that the Romantic movement comes out as a counter balance to everything that has been accumulating since the Age of Reason. I think the downfall of imagination as a genre or as a perception starts with the Age of Reason, which says everything else that came before us, all those superstitions, all those myths, are childish.

We live in our myths, we only endure reality.

We are moving away from myths and toward fantasy role-playing games, away from movies and toward videogames.

movies have mirrored our moods and myths since the century began. They have taken on some of the work of religion.