Quotes About Poet

One of the appeals of William Carlos Williams to me is that he was many different kinds of poet. He tried out many different forms in his own way of, more or less, formlessness. He was also a poet who could be - he was a love poet, he was a poet of the natural order and he was also a political poet.

The poet or the revolutionary is there to articulate the necessity, but until the people themselves apprehend it, nothing can happen ... Perhaps it can't be done without the poet, but it certainly can't be done without the people. The poet and the people get on generally very badly, and yet they need each other. The poet knows it sooner than the people do. The people usually know it after the poet is dead; but that's all right. The point is to get your work done, and your work is to change the world.

It's a big thing to call yourself a poet. All I can say is that I have always written poems. I don't think I'm interested in any discussion about whether I'm a good poet, a bad poet or a great poet. But I am sure, I want to write great poems. I think every poet should want that.

He was a great poet" They lamented. No, he was not a great poet," said Theo, "He was a good poet, he could have been better. That's the real loss don't you see?

A trouble with poetry is the presence of presumptuousness in poetry, the sense you get in a poem that the poet takes for granted an interest on the reader's part in the poet's autobiographical life, in the poet's memories, problems, difficulties and even minor perceptions. I try to presume that no one is interested in me. And I think experience bears that out. No one's interested in the experiences of a stranger - let's put it that way. And then you have difficulty combined with presumptuousness, which is the most dire trouble with poetry.

The reason a poet is a poet is to write poems, not to advertise himself as a poet.

Creativity has three layers; the ultimate is the mystic: he lives in a climate of creativity. The poet, once in a while, brings some treasures from the beyond; the scientist, also very rarely, but whenever he can visit the ultimate he brings something precious to the world. But one thing is certain - mystic, scientist or poet, whatsoever comes into this world comes from the beyond. To bring the beyond is creativity. To bring the beyond into the known is creativity. To help God to be manifested in some form is creativity.

I think that great poetry is the most interesting and complex use of the poet's language at that point in history, and so it's even more exciting when you read a poet like Yeats, almost 100 years old now, and you think that perhaps no one can really top that.

I was appointed Poet Laureate. It came totally out of the blue because most Poet Laureates had been considerably older than I. It was not something that I even had begun to dream about!

I prefer poems that occupy an imaginative sphere. When I lived in Cincinnati, I was occasionally referred to as an "Ohio Poet;" this made me uneasy, not only because I think of myself as a generally American poet but also because I like to think I write out of the country of my own mind.

In England especially, poetry's woven into the background fabric of society. And in Ireland, it's in the foreground. The place of the poet in Irish society is enormous. If you say you're a poet in Ireland, you'd better know what you're doing, because the standard and the expectations are incredibly high.

Isn't it curious how one has only to open a book of verse to realise immediately that it was written by a very fine poet, or else that it was written by someone who is not a poet at all. In the case of the former, the lines, the images, though they are inherent in each other, leap up and give one this shock of delight. In the case of the latter, they lie flat on the page, never having lived.

Both poet and painter want to reach the silence behind the language, the silence within the language. Both painter and poet want their work to shine not only in daylight but (by whatever illusionist magic) from within.

James McMurtry is a true Americana poet - actually he is a poet regardless of genre

So how can a poet-an intelligent, serious poet-write mystical verse now? The poetry of Adam Zagajewski provides the beginning of an answer to this question.

Milton says, that the lyric poet may drink wine and live generously, but the epic poet, he who shall sing of the gods, and their descent unto men, must drink water out of a wooden bowl. For poetry is not "Devil's wine," but God's wine.

There is an old Arabic proverb, 'When the king puts the poet on his payroll, he cuts off the tongue of the poet', so throughout the ages, people in power have liked to control music, they used to throw songwriters in jail throughout history, and were assassinated.

Campion is a poet who knows that what a poet sees is nothing without a mixture of formal prowess and emotional insight.

Every man will be a poet if he can; otherwise a philosopher or man of science. This proves the superiority of the poet.

Dante Alighieri was not only a Christian poet or a priest, he was a man. He was a real poet. We can understand that the goal of Divine Comedy is beauty. You don't need also to understand Italian or to know Italian, because when Dante's writing, when we recite Dante out loud, it explodes a cosmos of illumination like to recite music, a symphony.

Politics in any country in the world is dangerous. For the poet, politics in any country had better be disguised as poetry. Politics can be the graveyard of the poet. And only poetry can be his resurrection.

The scientist has marched in and taken the place of the poet. But one day somebody will find the solution to the problems of the world and remember, it will be a poet, not a scientist.

I think a poet is anybody who wouldn't call himself a poet.

Even if you're a poet sitting in your room writing a poem, you're still in the world - although I guess being a poet is a different than having to deal with 40 or 50 people to raise a couple million bucks and all that bullshit.

Poetry is the sister of Sorrow. Every man that suffers and weeps is a poet; every tear is a verse, and every heart a poem.

The attention one gets from being a poet isnt great.

The manager-leader of the future should combine in one personality the robust, realistic quality of the man of action with the insight of the artist, the religious leader, the poet, who explains man to himself. The man of action alone or the man of contemplation alone will not be enough; these two qualities together are required.

As a poet I hold the most archaic values on earth . . . the fertility of the soil, the magic of animals, the power-vision in solitude, the terrifying initiation and rebirth, the love and ecstasy of the dance, the common work of the tribe. I try to hold both history and the wilderness in mind, that my poems may approach the true measure of things and stand against the unbalance and ignorance of our times.

But the lover's power is the poet's power. He can make love from all the common strings with which this world is strung.

Every poet, be his outward lot what it may, finds himself born in the midst of prose; h e has to struggle from the littleness and obstruction of an actual world into the freedom and infinitude of an ideal.

As a film-maker and a poet, I feel it's my duty to be an eye and an antenna to what's happening around me. I always felt a solidarity with those who are desperate and confused and misused and are seeking a way out of it.

Mandelstam is the sort of poet who comes along very, very rarely. Even the two Russian poets whose work is often linked with his - Anna Akhmatova and Marina Tsvetaeva - though their work is more "urgent" than most American poetry, seem to me to operate at a lesser charge than Mandelstam.

Each man carries within him the soul of a poet who died young.

I don't know if I call myself a poet or not. I would like to, but I'm not really qualified to make that decision, because I come in on such a back door, that I don't know what a Robert Frost or a [John] Keats or a T.S. Eliot would really think of my stuff.

the ordinary man's experience is chaotic, irregular, fragmentary. [He] falls in love or reads Spinoza, and these two experiences have nothing to do with each other, or with the noise of the typewriter, or the smell of cooking; in the mind of the poet these experiences are always forming new wholes

For the poet the credo or doctrine is not the point of arrival but is, on the contrary, the point of departure for the metaphysical journey.

An architect, to be a true exponent of his time, must possess first, last and always the sympathy, the intuition of a poet... this is the one real, vital principle that survives through all places and all times.

Pound's crazy. All poets are.... They have to be. You don't put a poet like Pound in the loony bin.

Multitude, solitude: equal and interchangeable terms for the active and prolific poet.

Every American poet feels that the whole responsibility for contemporary poetry has fallen upon his shoulders, that he is a literary aristocracy of one.

To a Young Poet Time cannot break the bird's wing from the bird. Bird and wing together Go down, one feather. No thing that ever flew, Not the lark, not you, Can die as others do.

Through this atmosphere of torrid splendor moved wan beings as richly upholstered as the furniture, beings without definite pursuits or permanent relations, who drifted on a languid tide of curiosity... Somewhere behind them, in the background of their lives there was doubtless a real past, yet they had no more real existence than the poet's shades in limbo.

Pure poetry in motion. A swift-moving, heartfelt tale of love and loss, two stories intersecting-an d connecting-by magic. Michelle Baker is a born poet, and a born writer. The Canoe is just the start of what I hope to be a long idyllic journey through the love and soul of the human heart.

You will find the poet who wrings the heart of the world, or the foremost captain of his time, driving a bargain or paring a potato, just as you would do.

If you're a poet and you're using rhyme, rhyme generates ideas. If you're a songwriter and you're using melody and words together, they bounce off each other in interesting ways that you couldn't get otherwise, because you do things unexpectedly.

A great actor is independent of the poet, because the supreme essence of feeling does not reside in prose or in verse, but in the accent with which it is delivered.

I think a lot about the poems I wasn't able to write...I masturbrated...Solitude is essentially a matter of pride; you bury yourself in your own scent. The issue is the same for all real poets. If you've been happy for too long, you become banal. By the same token, if you've been unhappy for a long time, you lose your poetic power...Happiness and poverty can only coexist for the briefest time. Afterword either happiness coarsens the poet or the poem is so true it destroys his happiness.

for what is the gift of the poet and the artist except to see the sights which others cannot see and to hear the sounds that others cannot hear?