There is nothing more difficult to outgrow than anxieties that have become useful to us, whether as explanations for a life that never quite finds its true force or direction, or as fuel for ambition, or as a kind of reflexive secular religion that, paradoxically, unites us with others in a shared sense of complete isolation: you feel at home in the world only by never feeling at home in the world.
Christian WimanAt some point you have to believe that the inadequacies of the words you use will be transcended by the faith with which you use them. You have to believe that poetry has some reach into reality itself, or you have to go silent.
Christian WimanI honestly donโt know whether I am describing something essential about the way we know God or merely my own weakness of mind.
Christian WimanOne of the qualities essential to being good at reading poetry is also one of the qualities essential to being good at life: a capacity for surprise. Itโs easy to become so mired in our likes or dislikes that we can no longer recall that person who once responded to poemsโand to peopleโwithout any preconceived notions of what we wanted them to be.
Christian WimanThe endless, useless urge to look on life comprehensively, to take a bird's-eye view of ourselves and judge the dimensions of what we have or have not done: this is life as landscape, or life as rรฉsumรฉ. But life is incremental, and though a worthwhile life is a gathering together of all that one is, good and bad, successful and not, the paradox is that we can never really see this one thing that all of our increments (and decrements, I suppose) add up to.
Christian WimanI'm drawn to this range, that's for sure, but I suppose the thing that most appeals to me about Mandelstam is the sense you get from every poem that everything - the poet's very soul - is at stake.
Christian WimanMandelstam's style is not singular. He could be stately and traditional, ribald and funny, hectic, elegiac. He could handle abstractions and ideas as well as Pope or Browning but then be so musical that other poems approach pure sound.
Christian WimanThe horrors have made the legend of Mandelstam and are inevitably the lens through which we read his work and life. But if there had been no Stalin and no purge, Mandelstam still would have been a poet of severe emotional and existential extremity.
Christian WimanI am a Christian because of that moment on the cross when Jesus, drinking the very dregs of human bitterness, cries out, My God, my God, why hast thou forsaken me? (I know, I know: he was quoting the Psalms, and who quotes a poem when being tortured? The words arenโt the point. The point is he felt human destitution to its absolute degree; the point is that God is with us, not beyond us, in suffering.)
Christian WimanI donโt believe in โlaying to restโ the past. There are wounds we wonโt get over. There are things that happen to us that, no matter how hard we try to forget, no matter with what fortitude we face them, what mix of religion and therapy we swallow, what finished and durable forms of art we turn them into, are going to go on happening inside of us for as long as our brains are alive.
Christian WimanIt is easy enough to write and talk about God while remaining comfortable within the contemporary intellectual climate. Even people who would call themselves unbelievers often use the word gesturally, as a ready-made synonym for mystery. But if nature abhors a vacuum, Christ abhors a vagueness. If God is love, Christ is love for this one person, this one place, this one time-bound and time-ravaged self.
Christian WimanI don't think that someone who does not speak the original language can ever expect to produce a real translation.
Christian WimanThere are dangers for an artist in any academic environment. Academia rewards people who know their own minds and have developed an ironclad confidence in speaking them. That kind of assurance is death for an artist.
Christian WimanMandelstam was an artistic genius, the sort that any century produces only a handful of.
Christian WimanMandelstam - his gift and the untamable nature of it - was like a thorn in Stalin's brain.
Christian WimanI've never been able to write poetry without having vast tracts of dead time. Poetry requires a certain kind of disciplined indolence that the world, including many prose writers, doesn't recognize as discipline. It is, though. It's the discipline to endure hours that you refuse to fill with anything but the possibility of poetry, though you may in fact not be able to write a word of it just then, and though it may be playing practical havoc with your life. It's the discipline of preparedness.
Christian WimanWhat we call doubt is often simply dullness of mind and spirit, not the absence of faith at all, but faith latent with the lives we are not quite living, God dormant in the world to which we are not quite giving our best selves.
Christian WimanI can't think offhand of any American poets who have Mandelstam's urgency, but it's a different country and a different time, and I don't think it would make much sense to say that this is something that's "missing" from contemporary American poetry.
Christian WimanHuman imagination is not simply our means of reaching out to God but God's means of manifesting himself to us.
Christian WimanI think of translations as passing some scholarly smell test: you can read the words of the translation and be reasonably sure of what the words are in the original.
Christian WimanPoetry has its uses for despair. It can carve a shape in which a pain can seem to be; it can give oneโs loss a form and dimension so that it might be loss and not simply a hopeless haunting. It can do these things for one person, or it can do them for an entire culture. But poetry is for psychological, spiritual, or emotional pain. For physical pain it is, like everything but drugs, useless.
Christian WimanI suppose I do believe that the greatest art consoles a wound that it creates, that art can give you the capacity to endure and respond to the pain it forces you to feel. Psychological pain, I mean.
Christian WimanIt's just that different emotions and perceptions demand different frequencies and intensities.
Christian WimanMandelstam is the sort of poet who comes along very, very rarely. Even the two Russian poets whose work is often linked with his - Anna Akhmatova and Marina Tsvetaeva - though their work is more "urgent" than most American poetry, seem to me to operate at a lesser charge than Mandelstam.
Christian Wiman