Quotes About Thriller

I would have turned any offer down, if it had turned into a thriller. I would have seen no point in a thriller here. I don't need to entertain people, on top of what we were doing. It's not a question of whether he did it or not. I would have thought that was banal and uninteresting, and I wouldn't care. And it could have also turned into a shoot-out because there were a lot of guns in the film.

Polisse' is the sort of cop thriller where people do things like angrily bang on a desktop or sweep everything off it. If it happens once, it must happen six times. But every time it did, I wanted to stand up and cheer, which I've never wanted to do for any such thriller.

I think the thriller aspect of this film [Fifty Shades Darker] is what excited me most.

When you're playing the devil, you're playing the ultimate evil. There are no boundaries. In doing a film in the horror genre or a psychological thriller, you're really pushed as an actress, you're pushed way outside of your comfort zone. Emotionally, mentally, and physically. That's when things really get fun.

As Ralph's character begins to discover the political thriller aspect of the film, he falls deeper in love with his wife, so the two run together. That's the beauty of this film. It has fast pace and excitement, but it also has heart and soul.

I stopped reading William Faulkner because it's hard work. I want to read a good writer, but I also want to read something where the pages are going to move along. That's what I want. It doesn't have to be a thriller or a mystery. Just something where I get caught up in the story.

The action movie, the thriller and the drama all have safety nets under them. But not the horror film. The horror film can sink to an abyss far darker than the imagination can ever reach.

I've just done a film in the United States. It's a thriller called 'A Crime', with Harvey Keitel, we play against each other, and it's so great to play in another language. But I'm definitely not American.

I'm making sure to cover all the bases. Like, I've always wanted a leather jacket like Michael Jackson's in "Thriller" since I was a kid. I'm trying to incorporate a lot of elements of pop culture that I've always revered or was really into when I was young.

In a Western or a thriller there is often room for reflection upon the coercive necessities; even, occasionally, some attempt to pose other possibilities. In the horror movies there is finally a Hobbesian state of nature: 'continual fear and danger of violent death; and the life of man, solitary, poor, nasty, brutish, and short'.

This is much more than your typical thriller. Tim Johnston has written a book that makes Gone Girl seem gimmicky . . . Johnston is an excellent writer. You want to set this one down so you can take a breath, and keep reading--all at the same time.

The scariest movie I have ever seen, and my favorite horror film is, 'The Exorcist.' It is a must-see horror/thriller classic. I watch it every couple of years.

No Time For Goodbye is a deliciously smart thriller, full of surprises and perfect pacing. I'm jealous I didn't write it.

Collins masterfully blends fact and fiction...transcends the historical thriller.

In every thriller written about Washington, particularly after 9/11, there are good guys and there are bad guys, and there's no gray area at all.

Yes, to me that's one of the most compelling fears in film noir and the psychological thriller genre - that fear of conspiracy. It's definitely something that I have a fear of - not being in control of your own life. I think that's something people can relate to, and those genres are most successful when they derive the material from genuine fears that people have.

People talk of me as being the inventor of the legal thriller.

A thriller becomes great when it carries a feeling of reality and truth.