Quotes About Thriller

It's a comedy thriller, brilliantly written and it's full of twists and turns at every page. When I was reading it I was desperate to get to the end to find out what happens, it really hooks you.

I think it's more difficult now to write a spy thriller with the collapse of the Soviet Union. Many authors have tried, but few have succeeded in capturing the interest of readers.

I was 21, when I heard the story that inspired this [thriller Allied], and I wasn't even a screenwriter then.

I kept thinking maybe in the future editions [of Dark Money] I should sell it along with, like, some kind of, you know, Pepto Bismol or something. I wanted it to read a little bit like a thriller, so that it truly grabbed people.

I have lots of records, quite a collection, actually, that I stole from my mom. I have the original 'Thriller' album and I have a really great 'Elton John's Greatest Hits,' and I also have a N.E.R.D. album. Records sound more original. They have more edge.

from one minute to the next the present is merely an honorary past. It must be filled unceasingly anew to dissemble the curse it carries within itself; that is why Americans like speed, alcohol, thriller films and any sensational news: the demand for new things, and ever newer things, is feverish since nowhere will they rest.

In a Western or a thriller there is often room for reflection upon the coercive necessities; even, occasionally, some attempt to pose other possibilities. In the horror movies there is finally a Hobbesian state of nature: 'continual fear and danger of violent death; and the life of man, solitary, poor, nasty, brutish, and short'.

I am not really interested in the comic book movies for example. They send me very violent scripts that don't interest me. One I was sent involved me playing a woman, a mother and wife who gets killed, shot in the stomach. It was a thriller and it did not excite me at all. So I turned it down.

Dark City Blue is a freight train of a thriller crashing through some madhouse city night while a bomb's ticking down to zero. It's the cage fighting equivalent of a police procedural: violent, gaudy, and packing heat.

No Time For Goodbye is a deliciously smart thriller, full of surprises and perfect pacing. I'm jealous I didn't write it.

Throat clutching from the outset! The Never List stands as a sterling example of psychological thriller writing at its best. Cancel appointments and give up on sleep. It's that kind of book.

I enjoy a special collegiality among other writers in the thriller community. They call me Canadas scariest writer, and I love that.

Henri-Georges Clouzot's cool, clammy, twisty 1955 thriller Diabolique is an almost perfect movie about a very nearly perfect murder, a film in which the artist's methods and the killers' are ideally matched, equal in cunning and in ruthlessness. The screenplay, adapted by Clouzot and three other writers from a novel by the crack French crime-fiction team of Pierre Boileau and Thomas Narcejac, is a fantastically elaborate piece of contrivance, but the scrupulous realism of the direction makes the unnatural tale somehow feel entirely likely.

The characters you refer to as predatory and unsavory are useful. They're the ones who make a novel into a thriller. They're active, and most of the common virtues, the signs of a good person, are not.

Six Seconds is a great read. Echoing Ludlum and Forsythe, author Mofina has penned a big, solid international thriller that grabs your gut -- and your heart -- in the opening scenes and never lets go.

Sierra felt full of hope and confidence in God. She knew who she was. And she knew Whose she was. Whatever mysterious plan God had for her life, it would be an interesting one. As Christy had said earlier, God writes a different story for each person. Sierra decided hers might not be a bestseller or even a thriller. It certainly wasn't a romance. But it was turning into a fine mystery. And she could live with that.

Yes, to me that's one of the most compelling fears in film noir and the psychological thriller genre - that fear of conspiracy. It's definitely something that I have a fear of - not being in control of your own life. I think that's something people can relate to, and those genres are most successful when they derive the material from genuine fears that people have.

Force Majeure is a jolt. You won't know what hit you. Director Ostlund shifts gears from humor to psychological thriller with cunning skill.