I'd say our ability to supersize emotions are American-made special effects. In European countries, people mostly stay close to home and whatever rage there is simmers under the surface - it's what made the plays of Shakespeare and Harold Pinter so good.
A.M. HomesI once jokingly told someone that every book is like a relationship. They're four or five years long - that's not so bad. They're serious. They demand a lot of attention. But I remember thinking that I wanted to have one with someone who's not so crazy and peculiar and demanding.
A.M. HomesWhat draws me to family... if I were a psychiatrist, I'd say an enormous amount of unresolved personal material. If I were an anthropologist, I'd say families are at the root of social structures - they shape our identity, our belief systems - and so I find them fascinating. Also, I love the idea that families have narratives that are essentially the family story that is passed along generation to generation - and the rifts start when people question the story.
A.M. HomesI'm feeling how profoundly my family disappointed me and in the end how I retreated, how I became nothing, because that was much less risky than attempting to be something, to be anything in the face of such contempt.
A.M. HomesThe struggle is how to write optimistically when the world we're living in is not inherently optimistic. I love the idea of the family from the most Norman Rockwell version to Norman Bates. Without family, we have very little - it is the most basic social structure. So yes I suppose I wanted to write a hopeful book about the evolution of the family.
A.M. HomesPhilip Galanes makes his debut with a novel that is both heartbreaking and deftly comic, the story of a young man struggling with his most primitive desires--wanting and needing. It is a novel about the complex relationships between parents and children, a story of loss and of our unrelenting need for acknowledgment, to be seen as who we are. And in the end it is simply a love story for our time.
A.M. Homes