Building the scene, going out and doing shows and connecting with the fans, cultivating the fanbase in all these cities. I'm very glad that it's happening.

When I started Fool's Gold and producing consistent records that were like electro beats with rapping on it that was experimental and weird. I made a mixtape called Dirty South Dance where I put rap vocals over dance music. That was literally an experiment. Now all these rappers are rapping on dance music. This is something I've been trying to build for a while.

I love disco and we sample it a lot for Duck Sauce. For me, that sound is kind of a new manifestation.

At the end of the day, Fool's Gold is a label that, when I hear something I like, I try to grab it for the label. There's a ton of great music coming out.

I'm one of the few DJs who uses turntables. I'm the only DJ that's scratching.

We have to wake up early and make songs everyday. I run my record label. You work at hours where your body isn't designed to work. But it's fun.

The essential component of being a DJ is setting the mood; it's playing to the context. So that if you're not able to adapt from one context to another, then you're not a DJ.