I think America right now is looking for somebody who appeals to every faction.

I can think of films that I'm producing right now that are extremely hard-hitting, graphic films, that nobody necessarily wants to see, graphic in terms of violence, of adult content and racial and historical subject matter.

I owned a 1972 Plymouth Valiant that we bought for $125. It was infested with cockroaches and geckos - it was its own little ecosystem.

I have a dog and sometimes I'll be the littlest kid with my dog and marvel at his ears and his nose and how he looks at me. If he died, I'd bawl like a baby.

I have done scenes as Harvey Two-Face. It's interesting. I won't tell you exactly what we're going for, but I think that I can say that it will use all of today's technology to create this character. He's going to be interesting, and I think that's what makes this character important in the movie-you get to see him as he was before, as in the comic books. Harvey is a very good guy in the comic books. He's judicious. He cares. He's passionate about what he loves and then he turns into this character. So you will see that in this film.

I got as much information as I could, so I wouldn't look stupid, but this is a post 9/11 world and there's only so much you can do with the FBI in terms of research.

The F.B.I. is about nuts and bolts. It's all about witnesses and procedure and walking the streets.