I think people were a little bit too concerned about what I would or would not be allowed to say. So let me just get that out of the way and get on to the business of telling, you know, a story, or two, or three, or 15. And also to say, "Okay, look. Here it is, don't worry about it. The restrictions and the watered-down and all the stuff that you thought was gonna happen really isn't the case." So we done got that out the way, and now we can just kind of move on.
Aaron McGruderOne, I push my deadlines closer than anybody else, or let's say it this way: I'm really late.
Aaron McGruderMeeting Fidel Castro was really cool. It's cool because it's Fidel, and it's a world leader, and there's so much history behind the man and who he is in this hemisphere. And then at the end of the day, he's, I think, just like a big mayor. There's only, like, 11 million people in Cuba. He's a big mayor.
Aaron McGruderI think, being a public figure - which, I have to admit, I guess I'm largely responsible for, in terms of going out and putting myself out there - comes with its own burdens, and its own things that cause you stress, and its own worries.
Aaron McGruderI think that's always been part of the thinking behind the script, that - and I really tried really hard to impress that upon the staff of the show, the animation staff - to try to get them to understand that we would only be able to get away with what we were writing if the visuals were appealing enough that it was like a balance, and even people who didn't like what they were hearing would still not want to turn away because what they were seeing was so nice. So that was kind of my hunch, and I think it worked.
Aaron McGruder