Aaron McGruder Quotes

We did our best to do a Fox show, frankly, I don't think the difficulties we had at Fox would be exclusive to Fox. It's tough to be funny, because there's so many eyeballs and there's so much money at stake that I think everything is just kind of over-thought. And it's tough to be daring and do something different, either with regards to content or even structure.

I do think comics are a dying art form because newspapers are a dying medium. But it's not to say that in the next generation, where there's people getting their news electronically, comics won't survive. Right now, they're still largely attached to the newspaper world. And the more they can break away from that, the more they have a chance to live on.

I really get a little bit confused by all this "angry angry angry" talk when all I do is tell jokes and at least some people find it funny.

It's not the norm when creators have any protections with regards to creative control. And so it took some time, I think, for the strip to gain enough popularity where I had enough leverage to come in and say, "It has to be done in a certain way or it's not going to be done at all," and then have people willing to put up with that who were ultimately paying for it. You know, for them to be willing to kind of concede those kind of things. It just takes time, you know?

Don't get me wrong, it definitely ain't the Democratic Party either. They're so bad, I mean I'm actually starting to believe that John Kerry was just token resistance, that he literally was down with George W.Bush. It was just such a horrible, horrible, horrible thing to see, that campaign. So, you know, I don't know what's going on.

When I pass, speak freely of my shortcomings and my flaws. Learn from them, for I'll have no ego to injure.

I don't know what the future holds. It seems to be going in a really bad, bad place really quickly, and I don't have the answers and I don't have the solutions and I don't know what's gonna happen to change it. But the continued apathy will only lead to a worse situation for everybody.

I do the interviews and then I read about myself. I understand it and I get what it is. But there's so much stuff that I say, either jokingly or lightheartedly, that gets printed like I'm dead serious.

I went to Havana, and I was like, "Wow, there's culture everywhere!" That was one thing that I did notice when I went to Cuba was that artists are paid to be artists, and poets are paid to be poets, and musicians are paid to be musicians by the government. The government - and I'm not saying that the Cuban government's perfect - but the government does place a value on culture.

But I know that in Toronto and Vancouver there are all the comforts of America, and yet there's a difference in the people, and I had health care.

If your intentions are already bad, and then you still make giant mistakes, it seems like things just get worse. I get little joy seeing this, because what I don't see is the public saying, "Wow, those guys are really bad, maybe we should re-evaluate everything." I don't see that response with the scandals, I don't see it with the indictments, I don't see it after Katrina, I don't see the public going, "Wow, let's really re-examine the entire direction this country is going."

I just feel like the country is guilty. I think we should be deeply ashamed for what we've done in Iraq, and we've gotta reconcile that, and we've gotta find some way to make peace with this, and we can't do that until we acknowledge what took place, and ultimately, I think that's the poison that is killing this administration. And I think there's a lot of people in the country who are guilty of allowing themselves to be duped in a very sloppy, sloppy manner.

You know, Democratic and Republican administrations alike have supported individuals and regimes that have slaughtered millions across the globe. And they need to be held accountable for that.

Fame is not your friend. It ain't necessarily your enemy. It is what it is.

It may sound weird, but I don't really look for culture, particularly in an American city.

I want the news delivered unbiased. I thought that was the whole point with journalism.

Late to bed and late to wake will keep you long on money and short on mistakes.

Fidel Castro just talked a long time, and he talked and he talked and he talked and he talked... and he talked during the meeting. I think it was about four hours. But I guess that's part of the Castro spirit.

I think people were a little bit too concerned about what I would or would not be allowed to say. So let me just get that out of the way and get on to the business of telling, you know, a story, or two, or three, or 15. And also to say, "Okay, look. Here it is, don't worry about it. The restrictions and the watered-down and all the stuff that you thought was gonna happen really isn't the case." So we done got that out the way, and now we can just kind of move on.

I saw Nader shortly before the election and - I voted him the time before, because I liked the sort of long-term strategy of building a viable third party. So, okay, we'll get enough votes, you get a little bit more money, and maybe, if there's continued growth, then maybe eventually there's hope for a viable, legitimate third party. I think the reason why I didn't vote for him last time was because we tried that and it didn't work. Ralph Nader is a very smart guy, and I think he's got a lot of good ideas.

I have to remind myself - I think the population of the United States has been subjected to the most sophisticated form of propaganda and mind control that any group of people has been exposed to in a very, very long time. It's difficult for people in this country to get any kind of factual information and to make intelligent decisions based on them.

You collapse a few times, and you put your head in your hands, and you say, "Oh my god, how am I gonna get through this?" You have a few of those nights, and then you get over it and you keep it moving. And those nights... As you get more used to the strain, I guess those nights are fewer and farther between. So that's the best you can hope for. It's a tough job and it's a lot to pull out of your brain.

Cuba was fantastic, at least just in terms of... Not to romanticize or glorify it, but just seeing a place that had not really been touched by the hand of American capitalism. Because it's a genuinely different place. A lot of times when you travel, things start to feel the same from place to place to place, because the same people own everything all around the world.

I think, being a public figure - which, I have to admit, I guess I'm largely responsible for, in terms of going out and putting myself out there - comes with its own burdens, and its own things that cause you stress, and its own worries.

Anyone with a gun can go out and commit an act of terrorism, even without a political affiliation.

We don't need a two-party system. We need something else. Because at this point, the two-party system is really just a one-party system. And that one party is crumbling.

Whether the Republicans intentions are good or evil - I pretty much assume that they're evil - but no matter what, man, when the people in charge make giant mistakes, everyone suffers. Even if they do have good intentions, when you make giant mistakes, it's a bad thing.

I'm actually kind of angriest about the fact that everybody keeps saying how angry I am.

The American people have no control over what the military does. We have no say in American foreign policy.

When the news is slow, or when there's just so many other responsibilities bearing down on me that I don't have the time to do it right, that's when it gets frustrating. As an artist, you just don't wanna put bad work out. So when you have to do it seven days a week, you're just gonna have some bad days and bad weeks and bad months and bad years.

The population has to be educated about how the government actually works.

Republicans lost it some time ago. What's scary is when they lose their sense of good planning. Like dude, you know, if you're gonna lie, really... It's a big thing to fake your way into a war. Like, think it through. Do a better job at the lie, if that's what it's gonna be. Do a better job - I mean, whatever your goals were in invading Iraq, it couldn't have been this. This can't be all part of some master plan. Something went wrong.

I'm kind of conscious and aware of how ridiculous everyone involved with politics or talking about politics, especially on television, is - all the shouting matches and the screaming and the over-the-top personalities, and everyone's just playing. It's like WWF for news, almost. It's really ridiculous and I really don't want to be a part of it, and I'm not trying to put on this persona of this angry revolutionary to get people to follow me.

I think, ultimately, the problem with something like this is that you actually have so many more opportunities to say something than you actually have things worth saying. And then, as an artist who doesn't want to do bad work, gosh, how do you fill up all that space when you really don't have anything actually worthwhile to say? And that's what makes the job tough, because the fans get mad - "That's not funny," or "You've been sucking for several months now." And you go, "It's not my fault! I'm trying."

I think revolution is always a little bit possible. I think it won't look or sound anything like what we would expect. But I think revolution is very difficult, and I'm not optimistic for any kind of dramatic change.

At least when I was young, in high school: "Eh, voting doesn't mean nothing." You don't really know that to be true, you just say it. Then you get older, and responsible, and you go, "Oh heck, let me vote." And then you vote and you go away. I was actually right when I was 16.

We have to confront the very scary fact that the president is a moron. He's really dumb.

I think there's a lot of good and bad to L.A. One of the things you have to consider is that you can, if you're lucky, make a decent living here. That's a big plus. That's pretty positive. The weather is OK.

Obviously, there's a million things we're allowed to say on late-night cable that you're not allowed to say on a prime time broadcast.

Once I heard about the electronic voting machines, and how they weren't gonna be audited, and no one would be able to go in and verify what the votes were. And then the exit poll thing - wasn't that kind of weird? How the exit polls didn't match up to the voting... I feel like, you know, they dropped a couple lines of code in here and there, and swung a couple states in their direction.

Perhaps it's time to start examining countries that have made democracy work while still having some kind of the same relationship in covenant with their population. Perhaps we need to look at the Scandinavian countries, or Canada, or something else, but whatever we have now, I think we just have to acknowledge, ain't workin.

Look at this Judith Miller thing. Isn't that problematic? Like, she's getting fed information from the White House and she's feeding it to her editors and then it's in the Times and then the people at the White House can quote themselves? And it's the New York Times!

I think everyone's kind of just whistling and pretending everything's OK. At the heart of this is the cover-up, and the misleading the country to war in Iraq. And quite honestly, I don't think Republicans actually did a particularly good or sophisticated job, but I think everybody wanted to be fooled. I remember being on the Bill Maher show talking about how ridiculous this was before the invasion. And, you know, a lot of people, even Democrats, had been so easily thrown into this fear frenzy that they lost common sense.

I cannot be made into the commentator for the unspoken black masses.

It's difficult to overcome what you're getting beamed into your brain by the television every day. The worthlessness of journalism today is just making the country confused and bewildered and lost.

I think that's always been part of the thinking behind the script, that - and I really tried really hard to impress that upon the staff of the show, the animation staff - to try to get them to understand that we would only be able to get away with what we were writing if the visuals were appealing enough that it was like a balance, and even people who didn't like what they were hearing would still not want to turn away because what they were seeing was so nice. So that was kind of my hunch, and I think it worked.

I don't think the American government has a lot of respect for culture.

And I'm not so in love with making people mad that I want to live my life around it.