You can only write, 'Somebody wants something, something else is in their way of getting it.'

Larry David called me and said, "You can never watch The West Wing again. Either the show is going to be great without you and you're going to be miserable, or the show is going to be less than great without you and you're going to be miserable." So I had them send a tape of the first episode that I didn't do. I put it in the VCR and I don't think I got 15 seconds in before I leapt up and slammed it off! It felt like I was watching somebody make out with my girlfriend. I've never seen a West Wing episode in seasons five, six or seven.

One of the biggest challenges in the past for me in working on the networks was that audiences have grown accustomed to television being something that keeps you company-background music, something that you have on while you're flipping through a magazine, cooking dinner, talking on the phone, putting the kids to bed.

It was hard saying goodbye to the character and harder saying goodbye to the actor. When rumours started going around that Rob Lowe might be leaving I got an email from Josh Malina asking if I'd be interested in an actor who was cheaper and not as good looking. I wrote back, "Always", and that was that.

Film doesn't have to worry. Movies are awesome. There's no war going on, theaters aren't going to lose.

You're going to fall down, but the world doesn't care how many times you fall down, as long as it's one fewer than the numbers of times you get back up.

I had never thought of doing television. But my agent wanted me to meet John Wells, who had had a lot of success producing ER and China Beach. The night before the meeting, some friends were over for dinner and Akiva Goldsman and I slipped downstairs to the basement so we could sneak a cigarette. He said, "You know what would make a good television series? That." And he was pointing at The American President poster. He said, "There doesn't have to be a romance, just focus on a senior staffer."