While shooting Ten I was sitting in the backseat, but I didn't interfere. Sometimes, I was following in another car, so I was not even present on the "set", because I thought they would work better in my absence.

I only make notes, I don't write dialogues in full. And the notes are very much based on my knowledge of person.

I'm still very grateful to digital cameras in general, but I didn't have this feeling with the RED one.

I never reflect or convey that which I have not experienced myself.

The one-word cinema wasn't possible for me anymore. I'd hit a wall, a dead end. Therefore I thought I'd turn back.

I thought that I had been asked every kind of question possible.

Unfortunately, cinema critics are very few in America, 400-500 people, but there are more critics of Iran.