I have no advice for anyone on how to live.

In my experience as a director, I think there is obviously something of the way men - maybe that's a common point with Shirin - the way men see women in the film, and the way these two characters see each other.

I think being someone in love is so hard to define, so temporary, because retrospectively we often deny the state in which we were in love.

I'm still very grateful to digital cameras in general, but I didn't have this feeling with the RED one.

I only make notes, I don't write dialogues in full. And the notes are very much based on my knowledge of person.

Therefore, when you see the end result, it's difficult to see who's the director, me or them. Ultimately, everything belongs to the actors - we just manage the situation.

I think, just as footballers play better at home, maybe film-makers, too, create better at home, even though the rules of football are the same wherever you go.