The spiritual aspect of my work has more to do with the sense that things in the world can be perceived and accepted as being in some respect alive. I try to approach everything that I photograph with this sense of wide-eyed awe.

It's important to me to have what I photograph undergo a certain transformation - to become a thing different from what we are used to, to be another version of itself.

At times, I have been convinced that books hold all the material of life--at least all the stuff that fits between an A and a Z.

A photograph is a photograph. When I am making a picture I am just interested in making a very interesting photograph. I don't care where it's going to go.

The spiritual aspect of my work has more to do with the sense that things in the world can be perceived and accepted as being in some respect alive. I try to approach everything that I photograph with this sense of wide-eyed awe.

There is a lot of social photography being done now to point to the untruth of photography. It's getting very dull now. So, okay photography doesn't tell the truth. So what? Everyone has known this forever.

Photography was so perfectly suited to my sensibility and situation, it gave me a voice, a kind of crazy, out-of-whack voice, at the beginning, but a voice. I could finally put into images bottled up feelings of absurdity and alienation - and also joy and delight.