This world’s anguish is no different from the love we insist on holding back.

Poetry looking in the mirror sees art, and art looking in a mirror sings poetry.

His [Ben Okri's] work poses very serious questions for the twenty-first century. Among them: To what extent will we allow the indefinable dynamics of something called "destiny" to maintain grief and horror in the world? How hard are human beings willing to fight to achieve and sustain justice, equanimity, or joy? And should progress be called such when it devours what is best within the human spirit?

The passage of the Civil Rights Act of 1964 represented precisely such a hope - that America had learned from its past and acted to secure a better tomorrow.

'Mixtape' is a very appropriate word to include in the title of Goran Hugo Olsson's film because it includes a rich mixture of cultural voices. They speak across different dividing lines such as those of haves and have-nots, youth and maturity, black and white, national and global, and the past and the present.

The fact that an African American sits in the White House at the helm of government in the United States of America on this 150th anniversary of Abraham Lincoln's Emancipation Proclamation represents both phenomenal political symbolism and a victory of faith in democracy that should not be lost on any American.

All the world loves a ghost. The evidence of that simple statement can be found by looking in nearly every direction.