Before the thunderous clamor of political debate or war set loose in the world, love insisted on its promise for the possibility of human unity: between men and women, between blacks and whites, northerners and southerners, haves and have-have-nots, self and self.

A horn of plenty spills from your hands into the starved lives of millions.

Movies can provide tear-inducing or comically-entertaining representations of love, but many agree that its deeper conflicting complexities often seem unfathomable.

In an age when nations and individuals routinely exchange murder for murder, when the healing grace of authentic spirituality is usurped by the divisive politics of religious organizations, and when broken hearts bleed pain in darkness without the relief of compassion, the voice of an exceptional poet producing exceptional work is not something the world can afford to dismiss.

An outrageous instinct to love and be loved blinded your arms to lines of propriety––Women and Men, Christians and Jews, Muslims and Buddhists, white, black, red, brown. An outrageous instinct to love and be loved executed your brain every hour on the hour.

While many people like the idea of exercising unconditional love, most eventually find it too draining and impossible to sustain, often because the attempt to practice it is misunderstood, discouraged, brought under attack, or made a target of willful abuse. As sad as it may be to admit, in our modern world people are far more accustomed to hearing news of war, genocide, murder, disasters, famine, and disease than they are to hearing anything about acts of love or grace.

The music of revelation announces itself to the reader in somber brooding tones or in melodies light as air and one is invited to dance with the most captivating of partners: poetry.