The legacy of the embargo will be Cuba's poverty and desperation. When the island comes out of it, they'll be even more desperate than they are now about the things they think they've missed. I think one of the unintended results of the embargo is that Cuba is quite consumerist - and I'm talking about the people, not the government or the official propaganda.

In journalism, if there's a hole in your story you figure out a way around it because you've got a 4 p.m. deadline. It's a neat skill to have but it's deadly for literature. In literature, you need to stare at that hole, not ignore it. You need to figure it out.

Each genre has its own process. I'm very intuitive about poetry. I usually write first and second drafts out by hand. The other end of the spectrum is journalism, which is much more cerebral, more thought-out and planned. Fiction lies somewhere in between. I usually start intuitively but eventually I need to stop and consider structure, or research, or both.

This is going to sound nuts but it took me forever to figure out why I'd stopped writing poetry - I mean, I went about a decade where I wrote very little poetry and I thought it was because I was doing a weekly blog. And then when we moved, I reconfigured my writing desk. The previous one had had very little space to write by hand. And suddenly, the poetry was gushing!

Our real world has evolved. It's become something much different, and inadvertently about healthcare, and about what it means to have good health, and to be able to have good health.

I feel possessive about stories I write in Spanish and so I usually end up translating those into English myself.

I'm never afraid of research. I relish it!