There are many aspects to directing that have a romantic place in people's minds.

Dave Herman as Michael Bolton is one of my favorite performances ever.

Everyone is sort of in their own little area counting lines and no one talks when film's not rolling. There's constantly actors coming to me back behind the monitor screaming at me, "Why did my line count drop?" It's a nasty tense environment.

In general, the final filter of Hollywood is for-profit. Nothing goes through unless it can make money.

“Firewall” seems both scary and protective at the same time. And how often does that happen within one word besides “military” and “government?”

I think that the job of art and culture is to jump on that time and realize that it's there and to push it just a little bit faster.

For a documentary it's so important to find the characters and to find people who will give you access to film