Everyone is sort of in their own little area counting lines and no one talks when film's not rolling. There's constantly actors coming to me back behind the monitor screaming at me, "Why did my line count drop?" It's a nasty tense environment.

I grew up with a single mom who was a waitress. We were on food stamps. My mom then got Pell Grants, put herself through college to get a degree to get a better job. Because we were broke, I then had to go to a state school. I went to Temple University, and had to get loans. So I grew up in a world where I saw the government helping individuals pull themselves up, and saw it work very successfully.

Most of what's tricky about comedy is the perception of it and the audience's expectation.

Every time I wrote a sketch that was in my voice, Ferrell would just do it better.

I would never call myself cultural elite, but you might be cultural elite.

We punch mirrors and we explore our darker selves. No, it's just an amalgam of all newscasters that we grew up with. Sort of like before there was cable, when these people were like gods.

David O. Russell is probably my favorite filmmaker. He's not only a great director, but he's also a great writer.