I think where it's going is toward what the music industry is like, where channels will be considered more like labels that carry the type of TV show that you like, and then you'll consume them however you can. For example, I don't really watch Showtime, but I bought 'Homeland,' and I've been watching every episode on my iPad.

Well, you can't improvise story, which is a fact. If you could, the budget would be insane.

People, when they come up to me, are like, "Did we go to high school together? Or did I make out with you at sleepaway camp?" And oftentimes, yes, that is the answer, because I went to a giant high school and made out with everybody.

Anytime I audition for something, it's always a question of whether or not the people I'm auditioning for understand I'm an improviser and I like to do that, and if they like that or if they just want someone who's going to do what's written.

I think it's pretty classic if you look at the way entertainment reflects the country's status. There was a reason in the '50s when communism was bubbling that there were a million zombie movies. Because that is the direct allocation. So for the last two years we've been hearing, "Make America great again." People go, "Well, America was never great." What do you mean? What you mean is that they want to look back in history. And so I think it's only natural for entertainment to reflect that.

I love Billy Joel. I cry sometimes when I hear 'The Stranger.' 'You May Be Right' may be one of the greatest songs ever written.

There's a common misconception with sketch comedy that you just go up there and wing it, but it's written, and there really is order.