I get enough of that on the news, so I didn't want to deal with fundamentalists or any sort of thing like that. I just wanted to keep it as lighthearted as the Cold War was, which obviously it was a fun time for everybody.

I think the animation helps divorce the violence from reality. The sex certainly doesn't look all that realistic. I think the fact that it's animated, we get some leeway because of that.

I get enough of that on the news, so I didn't want to deal with fundamentalists or any sort of thing like that. I just wanted to keep it as lighthearted as the Cold War was, which obviously it was a fun time for everybody.

I really liked the design aesthetic of the mid-century modern for furniture and the early '60s stuff for the clothes. But then, personally, I'm a huge fan of 1970s muscle cars. Cell phones is just a laziness thing because it's so much easier to have somebody have a cell phone than have to go to a phone booth. So we're sort of, I guess, cherry-picking the best and easiest from several decades.

I was telling somebody about in grammar school we used to have the duck-and-cover drills where we'd have to go down to a fallout shelter in the basement. We'd sit on our butts on the ground next to the wall with a textbook over our heads and our knees sort of drawn up to our chest. I don't think they still do that. They're sort of sobering. You leave recess and come in for the apocalypse drill.

I watched a lot of the James Bond movies, certainly, both the old ones and the reboot with Daniel Craig. I watched a lot of the Matt Helm films with Dean Martin, which just have these great car scenes where it's rear-projected, and they just start making martinis out of a bar in the glove compartment.

If you make a 'Star Wars' reference, everybody's familiar with that. It's a common reference that most people can relate to - 'Bartleby, The Scrivener,' probably not so much.