Not even I, in my original Spanish, am necessarily obliged to make exact quotations. I can do that or not, I can play with that opportunity or not. This is my right, or poetic license, as someone who is building an artefact of fantasy - this implicit pact with the reader is my starting point.
Agustin Fernandez MalloI never enquire into the origin of things, all Origin is a fallacy (in this I follow Nietzsche: origin is a very contested Cartesian illusion of reliability). Everything reaches us filtered through culture.
Agustin Fernandez MalloIn fact, many of the quotes in my books are quotes which were translated from English and that I read already translated into Spanish. I'm not really concerned with what the original version in English was, because the important thing for me is that I received them already translated, and they've influenced my original worldview as translations, not as original quotations.
Agustin Fernandez MalloFor me, every translation is a new book, with the translator inevitably broadening the meaning of the original book in any translation.
Agustin Fernandez MalloNot even I, in my original Spanish, am necessarily obliged to make exact quotations. I can do that or not, I can play with that opportunity or not. This is my right, or poetic license, as someone who is building an artefact of fantasy - this implicit pact with the reader is my starting point.
Agustin Fernandez MalloWhen I use the term "complex realism", what I'm suggesting is that the writer must be realist, always realist, but not realist in the sense we have usually used the term in literature. If reality today is different from the reality of 30 years ago, we can't keep describing reality in the same way as we did 30 years ago.
Agustin Fernandez Mallo