I've always been really private about my personal life. I don't talk about it.

I'm all alone. There has been no man in my life for several months now and although it would be nice to have a boyfriend, I can't just settle for anybody. The fact is I'm choosy, but mainly about a man's character. He has to be interesting, funny and clever. I don't even mind if he's not very good-looking.

It is captivating, isn't it? England has such a great scene of electronic music, and I think that was very prominent in Pusher, and the nightlife was the beat of the film. I feel what is really great about Pusher is that it wasn't about drugs and guns and strippers. That was just all circumstantial. I felt like it was really about people and how decisions and circumstances can change relationships. Something just happens. Everything changes for a reason.

I love 'Breathless,' and 'Paris, Texas,' and 'Badlands.' I was obsessed with those films in my teens. I remember watching 'Badlands' and being amazed that there were these scenes in which nobody said anything and the silence told the whole story.

I'm like a boomerang, I always come back.

When you're young, you say it how it is, and even your views are, like, 'This is totally the truth', 'cos you don't know any difference, so there's a real confidence in your way of thinking.

I had a really small role (playing goddess Aphrodite), and I was only working for just over a week with Ralph Fiennes and Liam Neeson. I'd done a few short films before and thought acting was really creative, but when I worked with those guys, I was just like: "Wow!" They had such fun and freedom. They were trying things and stretching themselves. It was so inspiring that I was like: "I definitely want to do this!"