But things move on and by the time you've plotted your position the world around you has changed and you are running -panting- to catch up.

And Egypt ? What is Egypt strenght?her resilience ?her ability to absorb poeple and events into the pores of her being? is that true or is it just a consolation ? a shifting of responsibility? and if it is true , how much can she absorb and still remain Egypt ?

I now find myself looking at every sentence, every image, that purports to tell the West about the Arabs and the Muslims with this question in mind: to what extent does it feed into existing stereotypes and established prejudice?

So at the heart of all things is the germ of their overthrow; the closer you are to the heart, the closer to the reversal. Nowhere to go but down. You reach the core and then you're blown away--

That narrow stretch of sand knows nothing in the world better than it does the white waves that whip it , caress it , collapse on to it . The white foam knows nothing better than those sands which wait for it , rise to it and suck it in .but what do the waves know of the massed, hot, still sands of the desert just twenty , no , ten feet beyond the scalloped edge ? And what does the beach knows of depths, the cold, the currents just there, where-do you see it? - Where the water turns a deeper blue.

It is that happy stretch of time when the lovers set to chronicling their passion. When no glance, no tone of voice is so fleeting but it shines with significance. When each moment, each perception is brought out with care, unfolded like a precious gem from its layers of the softest tissue paper and laid in front of the beloved — turned this way and that, examined, considered.

You know, I've been thinking: all the women in the books you like -- Sartre and Camus and all that -- they don't really exist. Not as people. They're only there to wait for the men. To love them and be loved back or not -- mostly not; to be beaten up or killed; to appear as a face on the wall of Meurseault's cell--