I became an instant fan of the show [Underground] seconds into the opening frames of the pilot. When that drone shot carried us through the main house with Rosalie, played so unflinchingly-brilliantly by Jurnee Smollett Bell, I signed on for the ride.

Harriet Tubman didn't have strategy meetings or a movement behind her, she was the movement, she was inspired by being sick and tired of the injustice she was experiencing and she knew she had a right to liberty or death, one or the other she was going to have by any means necessary.

I had praying grandmothers who bathed me in "The Word" and filled the atmosphere with worship. Though I developed my own personal spiritual relationship later in life, the foundation they laid is what my faith was built upon.

There will be a wealth of facts revealed and revisited in [Underground] pertaining to Harriet Tubman. That is a huge part of my excitement, the fact that this generation will get such a beautifully-detailed introduction to a hero and icon that has largely lived in a few pages of our history books and in one-dimensional photographs.

The artistry on the show [ Underground] is apparent in each episode. From the riveting writing to the purposeful and precise direction, the masterful work of the DP [Director of Photography] Kevin McKnight and his crew, and the layers and depths each actor goes to to ensure we the audience feel a human connection to these characters led me to sign my name on the dotted line.

An opportunity to honor the legacy of the lives drawn into the lines in my face, the broad of my nose, the dark of my eyes, the fullness of my lips, and coal in my complexion.

Once the Fugitive Slave Act took effect, the Northern states were no longer safe for those who managed to escape from being enslaved. The second season of Underground does explore Canada's role in providing a welcoming place for the thousands who were in danger of being captured and returned to their owners, and those who escaped by way of rerouting beyond the American borders.