It's no mistake that Harriet Tubman is revisiting us, in different forms, right now, as we travel through a very contentious time in the world. Her spirit is one that we absolutely need today, as we face odds that are akin to the divisive and systemic oppression that we read about in our history books, but it's taken on a modern-day articulation of itself. I almost believe that Harriet Tubman asked God for a leave like, "I'm gonna need to go back down there and take care of some things. They're in trouble."

Once the Fugitive Slave Act took effect, the Northern states were no longer safe for those who managed to escape from being enslaved. The second season of Underground does explore Canada's role in providing a welcoming place for the thousands who were in danger of being captured and returned to their owners, and those who escaped by way of rerouting beyond the American borders.

The show [Shots Fired] is an autopsy of our criminal justice system, a space where the conversation surrounding the issues in our country is offering a seat at the table to all the voices to be heard, a murder mystery, and grassroots look at our own humanity as we move through the parts and pieces of the story.

I became an instant fan of the show [Underground] seconds into the opening frames of the pilot. When that drone shot carried us through the main house with Rosalie, played so unflinchingly-brilliantly by Jurnee Smollett Bell, I signed on for the ride.

I think we're in a time that calls for that level of courage, that level of resolve - you know, to be completely disgusted with injustice to the point that you will have to take some huge leaps of faith. And it may take one person leading many.

Remakes are awesome, especially when it honors yet adds a new component or dimension to the original. But truthfully, we have so many stories, lives and subjects to explore that I'd love to keep pushing towards new knowledge.

When you understand the purpose [of life], then you can deal and journey through the obstacles, the rejections, the stops and starts, highs-and-lows with a different lens because you know that you're moving in what you're supposed to do.