Our sadness won’t be of the searing kind but more like a blend of joy and melancholy: joy at the perfection we see before us, melancholy at an awareness of how seldom we are sufficiently blessed to encounter anything of its kind. The flawless object throws into perspective the mediocrity that surrounds it. We are reminded of the way we would wish things always to be and of how incomplete our lives remain.

We need a home in the psychological sense as much as we need one in the physical: to compensate for a vulnerability. We need a refuge to shore up our states of mind, because so much of the world is opposed to our allegiances. We need our rooms to align us to desirable versions of ourselves and to keep alive the important, evanescent sides of us.

When Proust urges us to evaluate the world properly, he repeatedly reminds us of the value of modest scenes.

I'm also interested in the modern suggestion that you can have a combination of love and sex in a marriage - which no previous society has ever believed.

Unrequited love may be painful, but it is safely painful, because it does not involve inflicting damage on anyone but oneself, a private pain that is as bittersweet as it is self-induced. But as soon as love is reciprocated, one must be prepared to give up the passivity of simply being hurt and take on the responsibility of perpetrating hurt oneself.

One's doing well if age improves even slightly one's capacity to hold on to that vital truism: "This too shall pass.

Work finally begins when the fear of doing nothing exceeds the fear of doing it badly.