I had no idea of who could play it, no notion really. Then Richard came to see us but I don't think it was decided at that meeting. The trouble is, as soon as you've chosen somebody it obscures anybody else you might have thought of. It's like going to a place that you've never been to before - you've got a picture of it and then you go there and that picture is totally wiped out by the reality.

The thing I think about is that once you've done it, you then start to think about what you're going to do next. It's much easier to follow something that's not been as successful as this.

[B]riefing is not reading. In fact it is the antithesis of reading. Briefing is terse, factual and to the point. Reading is untidy, discursive and perpetually inviting. Briefing closes down a subject, reading opens it up.

There are more microbes per person than the entire population of the world. Imagine that. Per person. This means that if the time scale is diminished in proportion to that of space it would be quite possible for the whole story of Greece and Rome to be played out between farts.

I think the writer's quite low down in the hierarchy really. But the fact that they took the piss out of Nicholas [Hynter] who, besides being the director, is also director of the National Theatre is, I'd have thought, slightly more risky.

I dont know whether you've ever looked into a miner's eyes for any length of time, that is. Because it is the loveliest blue you've ever seen. I think perhaps that's why I live in Ibiza, because the blue of the Mediterranean, you see, reminds me of the blue of the eyes of those Doncaster miners.

Why is it always the "intelligent" people who are socialists?