I've always wanted to explore characters of all races, all genders, all ages. It just seems to me to be a natural way to approach any kind of storytelling.

Please, don't go. It's lonely. There's a hole in my head as big as the world and it's so very lonely.

If light is outlawed, then only outlaws will be able to see where they're going.

Janey accuses me of chasing jailbait. She bursts into angry tears, asking if it's because she's getting older. It's true. She's aging more noticeably every day — while I am standing still. I prefer the stillness here. I am tired of Earth. These people. I am tired of being caught in the tangle of their lives.

While a truncheon may be used in lieu of conversation, words will always retain their power.

I'm very pessimistic about adaptations from one medium to another. I've got a very kind of primitive, Puritan view of it. I tend to think that if something was derived for one medium, then there's no real immediate reason to think that it's necessarily going to be as good or better if adapted into another one. There have been very good stage plays that have made some very good films. But there are not so many differences between the theater and the cinema as there are between the cinema and, say, reading a book or reading a comic.

Admittedly, I do have several bones... whole war fields full of bones, in fact... to pick with organised religion of whatever stripe. This should be seen as a critique of purely temporal agencies who have, to my mind, erected more obstacles between whatever notion of spirituality and Godhead one subscribes to than they have opened doors. To me, the difference between Godhead and the Church is the difference between Elvis and Colonel Parker... although that conjures images of God dying on the toilet, which is not what I meant at all.