Memory is just as much of an instrument as anything else in music, so I wanted to create soundscapes that are evocative of places that only exist in your head - that's where the fun, psychedelic stuff happens anyway.

You can't always just put color filters in 80s aerobic videos or take stuff from public-access and look at it in this very ironic, self-conscious way. That only takes you so far.

The Internet really does create this dimension around the music that's always in relation to what else is happening at the moment. But all you can do is ignore the annoying hum of the machine and focus on making art that makes you excited to be alive.

I have this eerie feeling that by the time I'm 33, reality will not exist in the same plane as it did before. It's cool but also a little creepy.

When you completely extract yourself from anything familiar, you start reverting back to that state of mind where you're having conversations with yourself, and that's where the weirdest and most honest ideas come from.

I think it's more about trying to just focus exclusively on writing music and making that a viable, sustainable lifestyle. It's difficult because it forces you to really get creative.

We really are living in the era that all this sci-fi literature and cinema was centered around, but it's not anything like what we envisioned it to be. It's almost like there's too much choice.