I remember a time when I would hear a band and then want to hear everything that sounded like it; I wanted it to feel like I was tapping into a thing, even if it wasn't.

I think it's more about trying to just focus exclusively on writing music and making that a viable, sustainable lifestyle. It's difficult because it forces you to really get creative.

Because anybody can find their fan base through the Internet, it opens opportunities up for talented people along with people like Rebecca Black. It makes you more choosy and also more receptive to absorb anything for 15 seconds - let alone 15 minutes - to decide what you think about it.

The Internet really does create this dimension around the music that's always in relation to what else is happening at the moment. But all you can do is ignore the annoying hum of the machine and focus on making art that makes you excited to be alive.

There's no real template to follow these days for what a band should and shouldn't be - bands are just becoming these weird little Internet avatars that you either follow or download or interact with in some removed way.

There's something really fun and spooky about that teenage feeling of narcissism or indestructibility, like the idea that every night might be the night before the world ends.

I can't pretend that I don't subscribe to Internet music culture in that I discover new music and old music simultaneously.