Folk rock was my real roots. I did a few gigs as a folk artist, in the style of Fairport Convention.

I try to find a way that the other guy hasn't thought of using a sound or a sample.

I was 17 and just learning what high fidelity was, what good sound was, and learning the mechanics of tape machines. It was a real education, going right from the consumer end to the record factory.

The Dark Side of the Moon is a fine album with a textural and conceptual richness that not only invites, but demands involvement. There is a certain grandeur.

I'm delighted about the track's success in the sports world, but the frustrating thing is, I don't think I got rich on it. The labels and publishers did very cheap deals on our songs.

I had the honor of speaking with Asimov. The album ended up being something not directly related to Asimov, but related instead to the concept of the power of robotics.

In France, you can sell a lot, but nobody outside of France ever hears of it.