In Russia we had to have special visas in our passports, and when we had to show our passports at the Kremlin gates, we realized that, Oh my God, we're actually playing in THE Kremlin!

I'm delighted about the track's success in the sports world, but the frustrating thing is, I don't think I got rich on it. The labels and publishers did very cheap deals on our songs.

Folk rock was my real roots. I did a few gigs as a folk artist, in the style of Fairport Convention.

I was 17 and just learning what high fidelity was, what good sound was, and learning the mechanics of tape machines. It was a real education, going right from the consumer end to the record factory.

In Russia we had to have special visas in our passports, and when we had to show our passports at the Kremlin gates, we realized that, Oh my God, we're actually playing in THE Kremlin!

I started in a research lab for TV cameras, then I worked at a tape duplication facility. That was the first introduction for me to recorded music and hi-fi.

In France, you can sell a lot, but nobody outside of France ever hears of it.