I approach every part I'm asked to do and decide to do from exactly the same angle: who is this person, what does he want, how does he attempt to get it, and what happens to him when he doesn't get it, or if he does?

I do take my work seriously and the way to do that is not to take yourself too seriously.

I approach every part I'm asked to do and decide to do from exactly the same angle: who is this person, what does he want, how does he attempt to get it, and what happens to him when he doesn't get it, or if he does?

I'm a lot less serious than people think, it's probably because the way my face is put together.

Market forces impose certain rules before a film can actually get made.

I have this feeling that if I could sort out what's on my dining room table, everything would fall into place.

You can act truthfully or you can lie. You can reveal things about yourself or you can hide. Therefore, the audience recognizes something about themselves or they don't -- You hope they don't leave the theatre thinking that was nice...now where's the cab?'