It's amazing how much actual chicken sounds lend themselves to stupidity.

I don't wear jewelry, as a man.

Going back was like a reunion for all the cast. We were all there. It was weird to have been away from it for a few months, and then, "Hey look, here we all are. I can still walk on these stilts. Wow, we all still fit in our costumes." It was nice to connect again, and then we went to Star Wars Celebration right after that. It's neat.

It's just like they approach things on every movie I've worked on, very much as if it was a live-action movie. The character you're playing, even though he's a rooster and is really stupid, you approach it in the same way you would approach Hamlet, which is exactly how I approached it. But they give you the circumstances. "You're on the boat. You didn't expect to be here. You just climbed in a boat to maybe sleep. You don't even know why you climbed in the boat. You're really that dumb.

The wrinklier the raisin, the sweeter the fruit.

[Heihei] a really dumb rooster. You have to just turn the rooster so his head ends up hitting the grain. He's not smart enough to eat.

I feel much more comfortable as an artist collaborating with others because I feel more mature.