It's closer to just acting in a film because it was a six-month commitment. We got to fly all over the world.

The reason I got into acting was the audience is right there and if you did something great they were right there and you knew it.

It's just like they approach things on every movie I've worked on, very much as if it was a live-action movie. The character you're playing, even though he's a rooster and is really stupid, you approach it in the same way you would approach Hamlet, which is exactly how I approached it. But they give you the circumstances. "You're on the boat. You didn't expect to be here. You just climbed in a boat to maybe sleep. You don't even know why you climbed in the boat. You're really that dumb.

Those are always fun characters to play, the ones who are stupid but speak with authority.

That's where I'm comfortable - playing a jackass on the scene, rolling in with my pocket watch and my buffoon hairdo, with my shoes.

R2-D2 is like that, but I think because he doesn't speak actual words, his jokes don't land. It's really a hindrance. And the same with BB-8. But Artoo is a lot stronger.

When we recorded [Moana], I would do all of the stuff and then save all the big screaming for last so that you can really blow it out and ratchet it up every time, get that perfect panicked pitch.