I like comedies, and my brain sort of spins in that direction. So I'm really happy to say there were several smartass comments that come from me [on Star Wars].

It was great. We knew we were going back when we finished the movie. It was such a big movie [Star Wars].

I wrote and directed and acted in it and produced it, every job I have since that - and Star Wars included - I look at it completely different now. Now that I've seen how it gets made, I can appreciate the jobs that people are doing, and it's also become a different learning experience for me to work on things because I'm watching pros at the top of their field do their jobs and just picking up on their tricks and all of their expertise and stashing them away in my brain.

Gareth [Edwards] was very open to just shaping the performances and the scenes to fit what was happening with the actors and the storytelling that was emerging.

When we recorded [Moana], I would do all of the stuff and then save all the big screaming for last so that you can really blow it out and ratchet it up every time, get that perfect panicked pitch.

I was going to be credited as Wray Nerely, my role in Con Man. It got cut in the reshoots. I was like, "Wait a second. I'm cut." It's a better telling of the story, but unfortunately, Wray Nerely gets cut, which is actually exactly right because if Wray Nerely was ever in Star Wars, he wouldn't make it to the final edit.

It's closer to just acting in a film because it was a six-month commitment. We got to fly all over the world.