You do a film and you have hopes for it, and you read it, and you see it one way in your head, and you shoot it, and it'll always change from what you started out. Sometimes it turns out better, sometimes it turns out; I don't know, but as movies go I've never experienced seeing and likening what I've read, and I liked what I read.

I wrote and directed and acted in it and produced it, every job I have since that - and Star Wars included - I look at it completely different now. Now that I've seen how it gets made, I can appreciate the jobs that people are doing, and it's also become a different learning experience for me to work on things because I'm watching pros at the top of their field do their jobs and just picking up on their tricks and all of their expertise and stashing them away in my brain.

Those in power at Disney, the very generous figures at Disney Animation, have convinced themselves I'm a good-luck charm for their movies, which is great. It's working out really well for me, and it seems to be a mutually beneficial arrangement.

I trained as a stage actor and was given a lot of technical tools to play with.

I was going to be credited as Wray Nerely, my role in Con Man. It got cut in the reshoots. I was like, "Wait a second. I'm cut." It's a better telling of the story, but unfortunately, Wray Nerely gets cut, which is actually exactly right because if Wray Nerely was ever in Star Wars, he wouldn't make it to the final edit.

[Diego Luna Cassian] quite a smartass, and I really appreciate smartasses. He used to make fun of me for the stupid backpack I wore. There were a few situations where I couldn't [wear the stilts]. [When] I was on a cliffside or running in water and stuff like that, I had to wear this backpack with a telescoping head that came off the top, and it was really stupid looking.

I haven't been to too many cons since Star Wars, and I don't think it's really going to change until it comes out.