I barely finish one pre-collection before I must start on another. Sales start, but I am already elsewhere creatively. The men's show is being prepared, but we also need to think about accessories, perfumes and other items. In sum, I never stop.

Pure, intense emotions. It's not about design. It's about feelings.

My dream is to be a doctor. I'm almost working in a laboratory, because I'm trying new techniques, new directions and fabrics, new weaving.

Almost every collection I do has 200 different references. I don't have two of the same coat, two of the same dress. I have it in one color, in one fabric. I've tried to adapt the culture of couture, and the know-how and the heritage, but I try to update it.

I don't think you can be a designer if you don't care.

I was thinking recently, If the body really is the new dress, as some are saying - with women buying boobs, butts, faces - then who needs a dressmaker? So I started designing spring like a plastic surgeon - everything stretchy and nude. But after three weeks, I was so bored with myself and the world, I began adding diamond butterflies and chiffon and colors. I realized that fashion is not about second skin. It's not the perfect white shirt or camel jacket. What women need is a dream.

There is nothing scarier than being ‘the designer of the moment,’ because the moment ends.