Ability to see the cultural value of wilderness boils down, in the last analysis, to a question of intellectual humility. The shallow-minded modern who has lost his rootage in the land assumes that he has already discovered what is important.

Wilderness areas are first of all a series of sanctuaries for the primitive arts of wilderness travel, especially canoeing and packing.

There are men charged with the duty of examining the construction of the plants, animals, and soils which are the instruments of the great orchestra. These men are called professors. Each selects one instrument and spends his life taking it apart and describing its strings and sounding boards. This process of dismemberment is called research. The place for dismemberment is called a university.

Wilderness is a continuous stretch of country preserved in its natural state, open to lawful hunting and fishing, big enough to absorb a two weeks' pack trip, and kept devoid of roads, artificial trails, cottages, or other works of man.

Mechanized recreation already has seized nine-tenths of the woods and mountains; a decent respect for minorities should dedicate the other tenth to wilderness.

A conservationist is one who is humbly aware that with each stroke [of the axe] he is writing his signature on the face of his land.

There are some who can live without wild things, and some who cannot. For us of the minority, the opportunity to see geese is more important than television, and the chance to find a pasque-flower is a right as inalienable as free speech.