The artists who the world has always recognized as the greatest are those with the widest sympathy. The greatness of the great artist depends precisely on the width and the intensity of his sympathy.

So now you can let go, my darling...Let go...Let go of this poor old body. You don't need it anymore. Let it fall away from you. Leave it lying there like a pile of worn-out clothes...Go on, my darling, go on into the Light, into the peace, into the living peace of the Clear Light.

There are few who would not rather be taken in adultery than in provocation.

All conditioning aims at that: making people like their inescapable social destiny.

That’s what the human brain is there for—to turn the chaos of given experience into a set of manageable symbols. Sometimes the symbols correspond fairly closely to some of the aspects of the external reality behind our experience; then you have science and common sense. Sometimes, on the contrary, the symbols have almost no connection with external reality; then you have paranoia and delirium. More often there’s a mixture, part realistic and part fantastic; that’s religion.

To travel is to discover that everybody is wrong. The philosophies, the civilizations which seem, at a distance, so superior to those current at home, all prove on a close inspection to be in their own way just as hopelessly imperfect.

I know quite well that one needs ridiculous, mad situations like that; one can't write really well about anything else. Why was that old fellow such a marvelous propaganda technician? Because he had so many insane, excruciating things to get excited about. You've got to be hurt and upset; otherwise you can't think of the really good, penetrating, X-rayish phrases.